Selwyn's good sayings, to decorate a grotesque house with pie-crust battlements, to procure rare engravings and antique chimney-boards, to match odd gauntlets, to lay out a maze of walks within five acres of ground, these were the grave employments of his long life. From these he turned to politics as to an amusement. After the labours of the print-shop and the auction-room, he unbent his mind in the House of Commons. And, having indulged in the recreation of making laws and voting millions, he returned to more important pursuits, to researches after Queen Mary's comb, Wolsey's red hat, the pipe which Van Tromp smoked during his last seafight, and the spur which King William struck into the flank of Sorrel.

In everything in which he busied him. self, in the fine arts, in literature, in public affairs, he was drawn by some strange attraction from the great to the little, and from the useful to the odd. The

Interest in trifles.

politics in which he took the keenest interests, were politics scarcely deserving of the name. The growlings of George the Second, the flirtations of Princess Emily with the Duke of Grafton, the amours of Prince Frederic and Lady Middlesex, the equabbles between Gold Stick in Waiting and the Master of the Buckhounds, the disagreements between the tutors of Prince George, these matters engaged almost all the attention which Walpole could spare from matters more important still, from bidding for Zinckes and Petitots, from cheapening fragments of tapestry and handles of old lances, from joining bits of painted glass, and from setting up memorials of departed cats and dogs. While he was fetching and carrying the gossip of Kensington Palace and Carlton House, he fancied that he was engaged in politics, and when he recorded that gossip, he fancied that he was writing history.

He was, as he has himself told us, fond of faction as an amusement. He loved mischief: but he loved quiet; and he

have had any private advantage in view. He thought it a good practical joke to set public men together by the ears; and he enjoyed their perplexities, their accusations, and their recriminations, as a malicious boy enjoys the embarrassment of a misdirected traveller.

Foolish affectations.

About politics, in the high sense of the word, he knew nothing, and cared nothing. He called himself a Whig. His father's son could scarcely assume any other name. It pleased him also to affect a foolish aversion to kings as kings, and a foolish love and admiration of rebels as rebels; and perhaps, while kings were not in danger, and while rebels were not in being, he really believed that he held the doctrines which he professed. To go no further than the letters now before us, he is perpetually boasting to his friend Mann of his aversion to royalty and to royal persons. He calls the crime of Damien "that least bad of murders, the murder of a king." He hung up in his villa an engraving of the death-warrant of Charles, with the inscription" Major Charta." Yet the most superficial knowledge of history might have taught him that the Restoration, and the crimes and follies of the twenty-eight years which followed the Restoration, were the effects of this Greater Charter. Nor was there much in the means by which that instrument was obtained that could gratify a judicious lover of liberty. A man must hate kings very bitterly, before he can think it desirable that the representatives of the people should be turned out of doors by dragoons, in order to get at a king's head. Walpole's Whiggism, however, was of a very harmless kind. He kept it, as he kept the old spears and helmets at Strawberry Hill, merely for show. He would just as soon have thought of taking down the arms of the ancient Templars and Hospitallers from the walls of his hall, and setting off on a crusade to the Holy Land, as of acting in the spirit of those daring warriors and statesmen, great even in their errors, whose names and seals were affixed to the warrant which he prized so highly. He liked revolution and regicide only when they were a hundred years old. His republicanism, like the courage of a bully, or the love of a fribble, was strong and ardent when there was no occasion for it, and subsided

Harmless Whiggism.

when he had an opportunity of bringing it to the proof. As soon as the revolutionary spirit really began to stir in Europe, as soon as the hatred of kings became something more than a sonorous phrase, he was frightened into a fanatical royalist, and became one of the most extravagant alarmists of those wretched times. In truth, his talk about liberty, whether he knew it or not, was from the beginning a mere cant, the remains of a phraseology which had meant something in the mouths of those from whom he had learned it, but which, in his mouth, meant about as much as the oath by which the Knights of some modern orders bind themselves to redress the wrongs of all injured ladies. He had been fed in his boyhood with Whig speculations on government. He must often have seen, at Houghton or in Downing Street, men who had been Whigs when it was as dangerous to be a Whig as to be a high-wayman, men who had voted for the Exclusion Bill, who had been concealed in garrets and cellars after the battle of Sedgemoor, and who had set their names to the declaration that they would live and die with the Prince of Orange. He had acquired the language of these men, and he repeated it by rote, though it was at variance with all his tastes and feelings; just as some old Jacobite families persisted in praying for the Pretender, and in passing their glasses over the water decanter when they drank the King's health, long after they had become loyal supporters of the government of George the Third. He was a Whig by the accident of hereditary connection; but he was essentially a courtier; and not the less a courtier because he pretended to sneer at the objects which excited his admiration and envy. His real tastes perpetually show themselves through the thin disguise. While professing all the contempt of Bradshaw or Ludlow for crowned heads, he took the trouble to write a book concerning royal authors. He pryed with the utmost anxiety into the most minute particulars relating to the Royal family. When he was a child he was haunted with a longing to see George the First, and gave his mother no peace until she had found a way of gratifying his curiosity. The same feeling, covered with a thousand disguises, attended him to the grave. No observa

Walpole's real tastes.

tion that dropped from the lips of Majesty seemed to him too trifling to be recorded. The French songs of Prince Frederic, compositions certainly not de'serving of preservation on account of their intrinsic merit, have been carefully preserved for us by this contemner of royality. In truth, every page of Walpole's works bewrays him. This Diogenes, who would be thought to prefer his tub to a palace, and who has nothing to ask of the masters of Windsor and Versailles but that they will stand out of his light, is a gentleman-usher at heart.

Philosophy of Walpole.

He had, it is plain, an uneasy consciousness of the frivolity of his favourite pursuits; and this consciousness produced one of the most diverting of his ten thousand affectations. His busy idleness, his indifference to matters which the world generally regards as important, his passion for trifles, he thought fit to dignify with the name of philosophy. He spoke of himself as of a man whose equanimity was proof to ambitious hopes and fears, who had learned to rate power, wealth, and fame at their true value, and whom the conflict of parties, the rise and fall of statesmen, the ebb and flow of public opinion, moved only to a smile of mingled compassion and disdain. It was owing to the peculiar elevation of his character that he cared about a pinnacle of lath and plaster more than about the Middlesex election, and about a miniature of Grammont more than about the American Revolution. Pitt and Murray might talk themselves hoarse about trifles. But questions of government and war were too insignificant to detain a mind which was occupied in recording the scandal of clubrooms and the whispers of the backstairs, and which was even capable of selecting and disposing chairs of ebony and shields of rhinoceros-skin.

One of his innumerable whims was an extreme dislike to be considered a man of letters. Not that he was

whims.

indifferent to lite. Contradictory rary fame. Far from it. Scarcely any writer has ever troubled him self so much about the appearance which his works were to make before posterity. But he had set his heart on incompatible objects. He wished to be a celebrated author, and yet to be a mere idle gentleman, one of those Epicurean gods of the earth who do nothing at all, and who pass their existence in the contem

plation of their own perfections. He did not like to have anything in common with the wretches who lodged in the little courts behind St. Martin's Church, and stole out on Sundays to dine with their bookseller. He avoided the society of authors. He spoke with lordly contempt of the most distinguished among them. He tried to find out some way of writing books, as M. Jourdain's father sold cloth, without derogating from his character of Gentilhomme. "Lui, marchand? C'est pure médisance; il ne l'a jamais été. Tout ce qu'il faisait, c'est qu'il était fort obligeant, fort officieux; et comme il se connaissait fort bien en étoffes, il en allait choisir de tous les côtés, les faisait apporter chez lui, et en donnait à ses amis pour de l'argent." There are several amusing instances of his feeling on this subject in the letters now before us. Mann had complimented him on the learning which appeared in the "Catalogue of Royal and Noble Authors ;" and it is curious to see how impatiently Walpole bore the imputation of having attended to anything so unfashionable as the improvement of his mind. "I know nothing. How should I? I who have always lived in the big busy world; who lie abed all the morning, calling it morning as long as you please; who sup in company; who have played at faro half my life, and now at loo till two and three in the morning; who have always loved pleasure; haunted auctions.. How I have laughed when some of the Magazines have called me the learned gentleman. Pray don't be like the Magazines." This folly might be pardoned in a boy. But a man of forty-three, as Walpole then was, ought to be quite as much ashamed of playing at loo till three every morning, as of being that vulgar thing, a learned gentleman.

Faults of the literary character.

The literary character has undoubtedly its full share of faults, and of very serious and offensive faults. If Walpole had avoided those faults, we could have pardoned the fastidiousness with which he declined all fellowship with men of learning. But from those faults Walpole was not one jot more free than the garreteers from whose contact he shrank. Of literary meannesses and literary vices, his life and his works contain as many instances as the life and the works of any member of Johnson's club. The fact is, that Walpole had the

with contempt of those books which are now universally allowed to be the best that appeared in his time; and, on the other hand, he speaks of writers of rank and fashion as if they were entitled to the same precedence in literature which would have been allowed to them in a drawing-room. In these letters, for example, he says that he would rather have written the most absurd lines in Lee than Thomson's Seasons. The periodical paper called the World, on the other hand, was by "our first writers." Who, then, were the first writers of England in the year 1753? Walpole has told us in a note. Our readers will probably guess that Hume, Fielding, Smollett, Richardson, Johnson, Warburton, Collins, Akenside, Gray, Dyer, Young, Warton, Mason, or some of those distinguished men, were in the lists. Not one of them. Our first writers, it seems, were Lord Chesterfield, Lord Bath, Mr. W. Whithed, Sir Charles Williams, Mr. Soame Jenyns, Mr. Cambridge, Mr. Coventry. Of these seven personages, Whithed was the lowest in station, but was the most accomplished tuft-hunter of his time. Coventry was of a noble family. The other five had among them two seats in the House of Lords, two seats in the House of Commons, three seats in the Privy Council, a baronetcy, a blue riband, a red riband, about a hundred thousand pounds a year, and not ten pages that are worth reading. The writings of Whithed, Cambridge, Coventry, and Lord Bath are forgotten. Soame Jenyns is remembered chiefly by Johnson's review of the foolish Essay on the Origin of Evil. Lord Chesterfield stands much lower in the estimation of posterity than he would have done if his letters had never been published. The lampoons of Sir Charles Williams are now read only by the curious, and, though not without occasional flashes of wit, have always seemed to us, we must own, very poor performances,

Walpole judged of French literature after the same fashion. He understood and loved the French language. Indeed, he loved it too well. His style is more deeply tainted with GalGallicisms. licism than that of any other English writer with whom we are acquainted. His composition often reads, for a page together, like a rude translation from the French; we meet every minute with such sentences as these, "One knows what temperaments Annibal Caracci painted." "The impertinent "She personage!" is dead rich." "Lord Dalkeith is dead of the small-pox in three days." "What was ridiculous, the man who seconded the motion happened to be shut up." "It will now be seen whether he or they are most patriot."

His love of the French language was of a peculiar kind. He loved it as having been for a century the vehicle of all the

Love of the French language.

polite nothings of Europe, as the sign by which the Freemasons of fashion recognized each other in every capital from Petersburg to Naples, as the language of raillery, as the language of anecdote, as the language of memoirs, as the language of correspondence. Its higher uses he altogether disregarded. The literature of France has been to ours what Aaron was to Moses, the expositor of great truths which would else have perished for want of a voice to utter them with distinctness. The relation which existed between Mr. Bentham and M. Dumont is an exact illustration of the intellectual relation in which the two countries stand to each other. The great discoveries in physics, in metaphysics, in political science, are ours. But scarcely any foreign nation except France has received them from us by direct communication. Isolated by our situation, isolated by our manners, we found truth, but we did not impart it. France has been the interpreter between England and mankind.

In the time of Walpole, this process of interpretation was in full activity. The great French writers were busy in proclaiming through Europe the names of Bacon, of Newton, and of Locke. The English principles of toleration, the English respect for personal liberty, the English doctrine that all power is a trust for the public good, were making rapid progress. There is

Progress of English principles.

scarcely anything in history so interesting as that great stirring up of the mind of France, that shaking of the foundations of all established opinions, that uprooting of old truth and old error. It was plain that mighty principles were at work whether for evil or for good. It was plain that a great change in the whole social system was at hand. Fanatics of one kind might anticipate a golden age, in which men should live under the simple dominion of reason, in perfect equality and perfect amity, without property, or marriage, or king, or God. A fanatic of another kind might see nothing in the doctrines of the philosophers but anarchy and atheism, might cling more closely to every old abuse, and might regret the good old days when St. Dominic and Simon de Montfort put down the growing heresies of Provence. A wise man would have seen with regret the excesses into which the reformers were running; but he would have done justice to their genius and to their philanthrophy. He would have censured their errors; but he would have remembered that, as Milton had said, error is but opinion in the making. While he condemned their hostility to religion, he would have acknowledged that it was the natural effect of a system under which religion had been constantly exhibited to them in forms which common sense rejected and at which humanity shuddered. While he condemned some of their political doctrines as incompatible with all law, all property, and all civilization, he would have acknowledged that the subjects of Louis the Fifteenth had every excuse which men could have for being eager to pull down, and for being ignor ant of the far higher art of setting up. While anticipating a fierce conflict, a great and wide-wasting destruction, he would yet have looked forward to the final close with a good hope for France and for mankind.

Walpole had neither hopes nor fears. Though the most Frenchified English writer of the eighteenth century, he troubled himself little about the portents which were daily to be discerned in the French literature of his time. most eminent Frenchmen were studying with enthusiastic delight English

While the

Frivolous interests.

politics and English philosophy, he was studying as intently the gossip of the old court of France. The fashions and scan dal of Versailles and Marli, fashions and

scandal a hundred years old, occupied him infinitely more than a great moral revolution which was taking place in his sight. He took a prodigious interest in every noble sharper whose vast volume of wig and infinite length of riband had figured at the dressing or at the tucking up of Louis the Fourteenth, and of every profligate woman of quality who had carried her train of lovers backward and forward from king to parliament, and from parliament to king, during the wars of the Fronde. These were the people of whom he treasured up the smallest memorial, of whom he loved to hear the most trifling anecdote, and for whose likenesses he would have given any price. Of the great French writers of his own time, Montesquieu is the only one of whom he speaks with enthusiasm. And even of Montesquieu he speaks with less enthusiasm than of that abject thing, Crébillon the younger, a scribbler as licentious as Louvet and as dull as Rapin. A man must be strangely constituted who can take interest in pedantic journals of the blockades laid by the Duke of A. to the hearts of the Marquise de B. and the Comtesse de C. This trash Walpole extols in language sufficiently high for the merits of Don Quixote. He wished to possess a likeness of Crébillon; and Liotard, the first painter of miniatures then living, was employed to preserve the features of the profligate dunce. The admirer of the Sopha and of the Lettres Athéniennes had little respect to spare for the men who were then at the head of French literature. He kept carefully out of their way. He tried to keep other people from paying them any attention. He could not deny that Voltaire and Rousseau were clever men; but he took every opportunity of depreciating them. Of D'Alembert he spoke with a contempt which, when the intellectual powers of the two men are compared, seems exquisitely ridiculous. D'Alembert complained that he was accused of having written Walpole's squib against Rousseau. "I hope," says Walpole, that nobody will attribute D'Alembert's works to me." He was in little danger.

"

be another Raphael before there was another Claude. And we own that we expect to see fresh Humes and fresh Burkes before we again fall in with that peculiar combination of moral and intellectual qualities to which the writings of Walpole owe their extraordinary popu larity.

Described by negatives.

It is easy to describe him by negatives. He had not a creative imagination. He had not a pure taste. He was not a great reasoner. There is indeed scarcely any writer in whose works it would be possible to find so many contradictory judgments, so many sentences of extravagant nonsense. Nor was it only in his familiar correspondence that he wrote in this flighty and inconsistent manner, but in long and elaborate books, in books repeatedly transcribed and intended for the public eye. We will give an instance or two; for without instances readers not very familiar with his works will scarcely understand our meaning. In the Anecdotes of Painting, he states, very truly, that the art declined after the commencement of the civil wars. He proceeds to enquire why this happened. The explanation, we should have thought, would have been easily found. He might have mentioned the loss of a king who was the most munificent and judicious patron that the fine arts have ever had in England, the troubled state of the country, the distressed condition of many of the aristocracy, perhaps also the austerity of the victorious party. These circumstances, we conceive, fully account for the phenomenon. But this solution was not odd enough to satisfy Walpole. He discovers another cause for the decline of the art, the want of models. Nothing worth painting, it seems, was left to paint. "How picturesque," he exclaims, "was the figure of Anabaptist!"-as if puritanism had put out the sun and withered the trees; as if the civil wars had blotted out the expression of character and passion from the human lip and brow; as if many of the men whom Vandyke painted had not been living in the time of the Commonwealth, with faces little the worse for wear; as if many of the beauties afterwards portrayed by Lely were not in their prime before the Restoration; as if the garb or the features of Cromwell and Milton were less picturesque than those of the round-faced peers, as like each other as eggs to eggs, who look out from the middle of the