and logical acuteness might have made him eminent in literature, whose genius for government was not inferior to that of Richelieu, and who, whatever his errors may have been, devoted all his powers, in defiance of obloquy and derision, to what he sincerely considered as the highest good of his species. The History of the Peninsular War is already dead; indeed, the second volume was dead-born. The glory of producing an imperishable record of that great conflict seems to be reserved for Colonel Napier. The Book of the Church contains some stories very prettily told. The rest is mere rubbish. The adventure was manifestly one which could be achieved only by a profound thinker, and one in which even a profound thinker might have failed, unless his passions had been kept under strict control. But in all those works in which Mr. Southey has completely abandoned narration, and has undertaken to argue moral and political questions, his failure has been complete and ignominious. On such occasions his writings are rescued from utter contempt and derision solely by the beauty and purity of the English. We find, we confess, so great a charm in Mr. Southey's style that, even when he writes nonsense, we generally read it with pleasure, except indeed when he tries to be droll. A more insufferable jester never existed. He very often attempts to be humorous, and yet we do not remember a single occasion on which he has succeeded farther than to be quaintly and flippantly dull. In one of his works he tells us that Bishop Spratt was very properly so called, inasmuch as he was a very small poet. And in the book now before us he cannot quote Francis Bugg,' the renegade Quaker, without a remark on his unsavoury name. A wise man might talk folly like this by his own fireside; but that any human being, after having made such a joke, should write it down, and copy it out, and transmit it to the printer, and correct the proof-sheets, and send it forth into the world, is enough to make us ashamed of our species. The extraordinary bitterness of spirit which Mr. Southey manifests towards his opponents is, no doubt, in a great measure to be attributed to the manner in which he forms his opinions. Differences of taste, it has often been remarked, produce greater exasperation than differences on points of science. But this is not all. A peculiar austerity marks almost all Mr. 1Thomas Sprat, 1635-1713, Bishop of Rochester and Dean of Westminster, distinguished as a preacher and controversial writer, but insignificant as a poet. Francis Bugg, 1640-1724, became a member of the Society of Friends when he was thirty-five years of age; but after many disagreements with his brethren left them and wrote several tracts against Quakerism. VOL, I,-14 We are far from Southey's judgments of men and actions. blaming him for fixing on a high standard of morals, and for applying that standard to every case. But rigour ought to be accompanied by discernment; and of discernment Mr. Southey seems to be utterly destitute. His mode of judging is monkish. It is exactly what we should expect from a stern old Benedictine, who had been preserved from many ordinary frailties by the restraints of his situation. No man out of a cloister ever wrote. about love, for example, so coldly and at the same time so grossly. His descriptions of it are just what we should hear from a recluse who knew the passion only from the details of the confessional. Almost all his heroes make love either like Seraphim or like cattle. He seems to have no notion of any thing between the Platonic passion of the Glendoveer1 who gazes with rapture on his mistress's leprosy, and the brutal appetite of Arvalan2 and Roderick. In Roderick, indeed, the two characters are united. He is first all clay, and then all spirit. He goes forth a Tarquin, and comes back too ethereal to be married. The only love scene, as far as we can recollect, in Madoc, consists of the delicate attentions which a savage, who has drunk too much of the Prince's excellent metheglin, offers to Goervyl. It would be the labour of a week to find, in all the vast mass of Mr. Southey's poetry, a single passage indicating any sympathy with those feelings which have consecrated the shades of Vaucluse and the rocks of Meillerie. Indeed, if we except some very pleasing images of paternal tenderness and filial duty, there is scarcely any thing soft or humane in Mr. Southey's poetry. What theologians call the spiritual sins are his cardinal virtues, hatred, pride, and the insatiable thirst of vengeance. These passions he disguises under the name of duties; he purifies them from the alloy of vulgar interests; he ennobles them by uniting them with energy, forti 1 One of the principal characters in the Curse of Kehama. In justice to Southey it must be said that the Glendoveer is not a mere man, but a supernatural being. Arvalan is the son of Kehama slain by Ladurlad who becomes the victim of Kehama's curse. 3 Roderic was the last Gothic King of Spain. He was defeated and killed by the Arab invaders in a battle fought near Xeres in the year 711. According to the legend which Southey embodied in his epic, the Mohammedan conquest was brought about by the lawless passion of the King, who escaped from the field, found grace to repent his sins, and died as a holy hermit many years afterwards. On behalf of Southey it may be said that violent natures are most susceptible of such sudden transformations. 4 Madoc is a Welsh Prince who visits the New World. His sister Goervyl who accompanies him attracts the admiration of a Mexican chief (Madoc, pt. ii., canto 4). tude, and a severe sanctity of manners; and he then holds them up to the admiration of mankind. This is the spirit of Thalaba, of Ladurlad, of Adosinda,1 of Roderick after his conversion. It is the spirit which, in all his writings, Mr. Southey appears to affect. "I do well to be angry," seems to be the predominant feeling of his mind. Almost the only mark of charity which he vouchsafes to his opponents is to pray for their reformation; and this he does in terms not unlike those in which we can imagine a Portuguese priest interceding with heaven for a Jew, delivered over to the secular arm after a relapse. We have always heard, and fully believe, that Mr. Southey is a very amiable and humane man; nor do we intend to apply to him personally any of the remarks which we have made on the spirit of his writings. Such are the caprices of human nature. Even Uncle Toby troubled himself very little about the French grenadiers who fell on the glacis of Namur. And Mr. Southey, when he takes up his pen, changes his nature as much as Captain Shandy, when he girt on his sword. The only opponents to whom the Laureate gives quarter are those in whom he finds something of his own character reflected. He seems to have an instinctive antipathy for calm, moderate men, for men who shun extremes, and who render reasons. He has treated Mr. Owen of Lanark, for example, with infinitely more respect than he has shown to Mr. Hallam or to Dr. Lingard ; and this for no reason that we can discover, except that Mr. Owen is more unreasonably and hopelessly in the wrong than any speculator of our time. 3 4 1 Adosinda is a Gothic lady in Southey's Roderic whose husband and child have been massacred by the Moors and who dedicates herself to the work of avenging and liberating Spain. 2 Uncle Toby is not represented as expressing any indifference to the sufferings of the enemy. Sterne, speaking in his own person, says that "the English made themselves masters of the covered way before St. Nicolas' Gate, notwithstanding the gallantry of the French officers who exposed themselves upon the glacis, sword in hand" (The Life and Opinions of Tristram Shandy, bk. i., ch. ii.). Robert Owen, 1771-1858, the philanthropist who established the model mills of New Lanark and became one of the founders of English socialism. He held many singular opinions, rejected all forms of religious belief, held that circumstances determine character, considered the substitution of machinery for human labour an evil, etc. But his goodness of heart, his services to co-operation, deserved a much more respectful notice than he obtains from Macaulay. He was probably the original of Mr. Toogood in Peacock's Crochet Castle. 4 Southey reviewed Hallam's Constitutional History of England in the Quarterly Review for April, 1828, so bitterly that Hallam nearly quarrelled with Murray for printing such an article. In the Colloquies and elsewhere Southey often indulged in bitter allusions to Lingard. Mr. Southey's political system is just what we might expect from a man who regards politics, not as matter of science, but as matter of taste and feeling. All his schemes of government have been inconsistent with themselves. In his youth he was a republican; yet, as he tells us in his preface to these Colloquies, he was even then opposed to the Catholic Claims. He is now a violent Ultra-Tory. Yet, while he maintains, with vehemence approaching to ferocity, all the sterner and harsher parts of the Ultra-Tory theory of government, the baser and dirtier part of that theory disgusts him. Exclusion, persecution, severe punishments for libellers and demagogues, proscriptions, massacres, civil war, if necessary, rather than any concession to a discontented people; these are the measures which he seems inclined to recommend. A severe and gloomy tyranny, crushing opposition, silencing remonstrance, drilling the minds of the people into unreasoning obedience, has in it something of grandeur which delights his imagination. But there is nothing fine in the shabby tricks and jobs of office; and Mr. Southey, accordingly, has no toleration for them. When a Jacobin, he did not perceive that his system led logically, and would have led practically, to the removal of religious distinctions. He now commits a similar error. He renounces the abject and paltry part of the creed of his party, without perceiving that it is also an essential part of that creed. He would have tyranny and purity together; though the most superficial observation might have shown him that there can be no tyranny without corruption. It is high time, however, that we should proceed to the consideration of the work which is our more immediate subject, and which, indeed, illustrates in almost every page our general remarks on Mr. Southey's writings. In the preface, we are informed that the author, notwithstanding some statements to the contrary, was always opposed to the Catholic Claims. We fully believe this; both because we are sure that Mr. Southey is incapable of publishing a deliberate falsehood, and because his assertion is in itself probable. We should have expected that, even in his wildest paroxysms of democratic enthusiasm, Mr. Southey would have felt no wish to see a simple remedy applied to a great practical evil. We should have expected that the only measure which all the great statesmen of two generations have agreed with each other in supporting would be the only measure which Mr. Southey would have agreed with himself in opposing. He has passed from one extreme of political opinion to another, as Satan in Milton went round the globe, contriving constantly to "ride with darkness.” 1 Wherever the thickest shadow of the night may at any moment chance to fall, there is Mr. Southey. It is not every body who could have so dexterously avoided blundering on the daylight in the course of a journey to the antipodes. Mr. Southey has not been fortunate in the plan of any of his fictitious narratives. But he has never failed so conspicuously as in the work before us; except, indeed, in the wretched Vision of Judgment. In November 1817, it seems the Laureate was sitting over his newspaper, and meditating about the death of the Princess Charlotte. An elderly person of very dignified aspect makes his appearance, announces himself as a stranger from a distant country, and apologizes very politely for not having provided himself with letters of introduction. Mr. Southey supposes his visiter to be some American gentleman who has come to see the lakes and the lake-poets, and accordingly proceeds to perform, with that grace, which only long practice can give, all the duties which authors owe to starers. He assures his guest that some of the most agreeable visits which he has received have been from Americans, and that he knows men among them whose talents and virtues would do honour to any country. In passing we may observe, to the honour of Mr. Southey, that, though he evidently has no liking for the American institutions, he never speaks of the people of the United States with that pitiful affectation of contempt by which some members of his party have done more than wars or tariffs can do to excite mutual enmity between two communities formed for mutual friendship. Great as the faults of his mind are, paltry spite like this has no place in it. Indeed it is scarcely conceivable that a man of his sensibility and his imagination should look without pleasure and national pride on the vigorous and splendid youth of a great people, whose veins are filled with our blood, whose minds are nourished with our literature, and on whom is entailed the rich inheritance of our civilisation, our freedom, and our glory. But we must return to Mr. Southey's study at Keswick. The visiter informs the hospitable poet that he is not an American but a spirit. Mr. Southey, with more frankness than civility, tells him that he is a very queer one. The stranger holds out his 1. The space of seven continued nights he rode -Paradise Lost, bk. ix., lines 63-66. |