or two alone again-oh, alone indubitably!-to Rome and Florence. He, forsooth, take up his portion with these dissolute, brutalized, heartless bunglers!-so he was heard to call us all now, is Schramm brutalized, I should like to know? Am I heartless? 43 Gottlieb. Why, somewhat heartless; for, suppose Jules a coxcomb as much as you choose, still, for this mere coxcombry, you will have brushed off-what do folks style it?the bloom of his life. Is it too late to alter? These loveletters, now, you call his-I can 't laugh at them. 48 4th Student. Because you never read the sham letters of our inditing which drew forth these. Gottlieb. His discovery of the truth will be frightful. 4th Student. That's the joke. But you should have joined us at the beginning: there's no doubt he loves the girlloves a model he might hire by the hour! 54 Gottlieb. See here! He has been accustomed,' he writes, 'to have Canova's women about him in stone, and the world's women beside him in flesh; these being as much below, as those above, his soul's aspiration; but now he is to have the reality.'-There you laugh again! I say, you wipe off the very dew of his youth. 60 1st Student. Schramm! (Take the pipe out of his mouth, somebody) will Jules lose the bloom of his youth? Schramm. Nothing worth keeping is ever lost in this world: look at a blossom-it drops presently, having done its service and lasted its time; but fruits succeed, and where would be the blossom's place could it continue? As well affirm that your eye is no longer in your body, because its earliest favourite, whatever it may have first loved to look on, is dead and done with-as that any affection is lost to the soul when its first object, whatever happened first to satisfy it, is superseded in due course. Keep but ever looking, whether with the body's eye or the mind's, and you will soon find something to look on! Has a man done wondering at women ?—there follow men, dead and alive, to wonder at. Has he done wondering at men?- there's God to wonder at: and the faculty of wonder may be, at the same time, old and tired enough with respect to its first object, and yet young and fresh sufficiently, so far as concerns its novel one. Thus 78 1st Student. Put Schramm's pipe into his mouth again! There, you see : Well, this Jules-a wretched fribbleoh, I watched his disportings at Possagno, the other day! Canova's gallery-you know: there he marches first resolvedly past great works by the dozen without vouchsafing an eye; all at once he stops full at the Psiche-fanciulla—cannot pass that old acquaintance without a nod of encouragement In your new place, beauty? Then behave yourself as well here as at Munich-I see you!' Next he posts himself deliberately before the unfinished Pietà for half an hour without moving, till up he starts of a sudden, and thrusts his very nose into-I say, into—the group; by which gesture you are informed that precisely the sole point he had not fully mastered in Canova's practice was a certain method of using the drill in the articulation of the knee-joint—and that, likewise, has he mastered at length! Good-bye, therefore, to poor Canova-whose gallery no longer need detain his successor Jules, the predestinated novel thinker in marble! 97 5th Student. Tell him about the women; go on to the women! 1st Student. Why, on that matter he could never be supercilious enough. How should we be other (he said) than the poor devils you see, with those debasing habits we cherish? He was not to wallow in that mire, at least; he would wait, and love only at the proper time, and meanwhile put up with the Psiche-fanciulla. Now I happened to hear of a young Greek-real Greek girl at Malamocco; a true Islander, do you see, with Alciphron's 'hair like sea-moss’Schramm knows!-white and quiet as an apparition, and fourteen years old at farthest,—a daughter of Natalia, so she swears -that hag Natalia, who helps us to models at three lire an hour. We selected this girl for the heroine of our jest. So, first, Jules received a scented letter-somebody had seen his Tydeus at the Academy, and my picture was nothing to it a profound admirer bade him perseverewould make herself known to him ere long. (Paolina my little friend of the Fenice, transcribes divinely.) And in due time, the mysterious correspondent gave certain hints of her peculiar charms-the pale cheeks, the black hair-whatever, in short, had struck us in our Malamocco model: we retained her name, too-Phene, which is by interpretation seaeagle. Now, think of Jules finding himself distinguished from the herd of us by such a creature! In his very first answer he proposed marrying his monitress: and fancy us over these letters, two, three times a day, to receive and dispatch! I concocted the main of it: relations were in the way-secrecy must be observed-in fine, would he wed her on trust, and only speak to her when they were indissolubly united? St-st-Here they come ! 6th Student. Both of them! Heaven's love, speak softly, speak within yourselves! 130 5th Student. Look at the bridegroom! Half his hair in storm, and half in calm,-patted down over the left temple, -like a frothy cup one blows on to cool it! and the same old blouse that he murders the marble in! 2d Student. Not a rich vest like yours, Hannibal Scratchy ! -rich, that your face may the better set it off! 136 6th Student. And the bride! Yes, sure enough, our Phene! Should you have known her in her clothes? How magnificently pale! Gottlieb. She does not also take it for earnest, I hope? 140 1st Student. Oh, Natalia's concern, that is! We settle with Natalia. 6th Student. She does not speak-has evidently let out no word. The only thing is, will she equally remember the rest of her lesson, and repeat correctly all those verses which are to break the secret to Jules? Gottlieb. How he gazes on her! Pity-pity! 146 1st Student. They go in: now, silence! You three,—not nearer the window, mind, than that pomegranate-just where the little girl, who a few minutes ago passed us singing, is seated! 151 II.-NOON. Over Orcana. The House of JULES, who crosses its threshold with PHENE: she is silent, on which JULES begins. Do not die, Phene ! I am yours now, you Are mine now; let Fate reach me how she likes, My work-room's single seat: I over-lean This length of hair and lustrous front; they turn Your chin-no, last your throat turns: 't is their scent You by me, And I by you; this is your hand in mine, I have spoken: speak, you! Thank God! Oh, my life to come! Bid each conception stand while, trait by trait, Will my mere fancies live near you, their truth— ΤΟ 15 20 7 SCENE II. The live truth, passing and repassing me, Sitting beside me? Now speak! Only, first, See, all your letters! Was 't not well contrived? Their hiding-place is Psyche's robe; she keeps Again those eyes complete And sorrow while she took her station, pausing Read this line-no, shame-Homer's be the Greek A bitter shaft'—a flower blots out the rest! 125 25 30 35 40 45 50 |