Sublime Economy: On the intersection of art and economicsJack Amariglio, Joseph W. Childers, Stephen E. Cullenberg Routledge, 2008 M11 25 - 336 páginas Over the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of "the economy" as sublime. It might even be said that much of the emergence of a distinctly "modern" art in the West is inextricably linked to the perception of art’s own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, "sublime economy" has yet to be investigated in a purely cross-disciplinary way. Sublime Economy seeks to map this critical territory by exploring the ways diverse concepts of economy and economic value have been culturally constituted and disseminated through modern art and cultural practice. Comprising of 14 individual essays along with an editors’ introduction, Sublime Economy draws together work from some of the leading scholars in the several fields currently exploring the intersection of economic and aesthetic practices and discourses. A pressing issue of this cross-disciplinary conversation is to discern how artists’, writers’, and cultural scholars’ constructions of distinct conceptions of economic value, as pertains to aesthetic objects as well as to more "everyday" objects and relations of mass consumption, have contributed to the ways "value" functions in and across disparate discourses. Thus this book looks at how cultural critics and theorists have put forward working notions of economic value that have regularities and effects similar to those of the "expert" conceptions and discourses about value that have been the preserve of professional economists. |
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... things ofnature,”he does indicate that—in the end—it isthe magnitude,the monstrosityof size,the magnificent, thehorrible, that makes those thingspass intothe realm of thesublime (orat least susceptible tothesubjective dispositionthatis ...
... things of nature as the only and proper objects whichmay be apprehended inthis “disinterested” way,but “thedomain of human artifice andcontrivance” aswell(163), what Crowther calls the “artefactualsublime” (162).At suchajuncture the ...
... thing.34 While this unevennessis curious, tosaythe least,itisalso partof the broadermodern division of labor inwhich economists are trained lessin reading aesthetic objectsand experiences for their representational value thanin ...
... thing can be conceived asacultural construct, the economic domain must surely collapse intothe cultural domain and iln'y apasde horsculture.By thesametoken, asthe cultural field itself admits concepts and ideas appropriatedfrom ...
... things like music, art, literature, and science took place; itwasin the imaginativelife that“civilization” established and reproduced itself. Yet, howto“value” these achievements?ForFry itmeant a distinction must be made between ...
Otras ediciones - Ver todas
Sublime Economy: On the Intersection of Art and Economics Jack Amariglio,Joseph W. Childers,Stephen E. Cullenberg Vista previa limitada - 2008 |
Sublime Economy: On the Intersection of Art and Economics Jack Amariglio,Joseph W. Childers,Stephen E. Cullenberg Sin vista previa disponible - 2010 |
Sublime Economy: On the Intersection of Art and Economics Jack Amariglio Sin vista previa disponible - 2009 |