Subversive Genealogy: The Politics and Art of Herman MelvilleExamines Herman Melville's use of the history of his family in the writing of his novels and analyzes the political views contained in his fiction |
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Página 16
These matters of fictional form and social reference do not make Blithedale into a novel on the European model . American antebellum fiction , Richard Brodhead has argued , is typically a mixed mode , conjoining novelistic description ...
These matters of fictional form and social reference do not make Blithedale into a novel on the European model . American antebellum fiction , Richard Brodhead has argued , is typically a mixed mode , conjoining novelistic description ...
Página 23
Disguise and unmasking are themselves central to Melville's fiction . His romances call attention to the problematic relationships between the author , his art , and historical experience . The intention here is neither to make ...
Disguise and unmasking are themselves central to Melville's fiction . His romances call attention to the problematic relationships between the author , his art , and historical experience . The intention here is neither to make ...
Página 158
The formalism of Melville's fiction of the 1850s parallels the legal formalism that developed during that decade . Judges like Shaw , who had once made the law serve human interests , now separated legalism from the living , contingent ...
The formalism of Melville's fiction of the 1850s parallels the legal formalism that developed during that decade . Judges like Shaw , who had once made the law serve human interests , now separated legalism from the living , contingent ...
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Contenido
The Red Rover | 3 |
POLITICS | 13 |
and Christians | 42 |
Derechos de autor | |
Otras 7 secciones no mostradas
Otras ediciones - Ver todas
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Términos y frases comunes
Ahab Allan Melvill American appears authority Bartleby Benito Billy Budd body Boston brother called captain characters Civil claimed clothing confidence Confidence-Man connection contrast crew death died dream escape failed father fiction followed forced freedom Gansevoort Melville gives Guert hand Hawthorne heart Henry Herman Melville hero human imagined Indian institutions Isabel Ishmael Israel Jackson John King land lawyer living look lost Mackenzie master meaning Melville's Moby-Dick mother mutiny nature novel offered officer once Parker Pequod Peter Gansevoort Pierre Pierre's political promised Redburn refused relations replaced returned Review revolutionary romance Rover sailors savage Shaw ship slave slavery social society Somers sons Spencer Stanwix stone story symbols Thomas tion turned Typee Union Vere wall wanted Webster whale White-Jacket writing wrote York Young