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topics. Picture succeeds picture as in the anarchy of a panorama. It seems as if we were reading the work of a poet who had turned annalist. By emphasizing everything, interest in particulars is obtained at the expense of general effect. It is only by turning to the table of contents that we are able to generalize the events of a reign. There are scores of pages in the third and fourth volumes which we read as we read a newspaper, where an account of a murder may be succeeded immediately by an account of a masquerade. Prescott, who cannot be named with Macaulay in respect to fulness of matter, fertility of thought, originality of style, and unwearied energy of mind, is still superior to him in the artistic disposition of his materials. In reading Prescott, we have but a faint impression of the author and no feeling at all of the felicity of the style, but the real business of the historian is none the less performed, for we get a large view of facts in their true relations, and are enabled to take in the subject he treats of as a whole. In Macaulay the narrative of particular facts and incidents is incomparably bright and stimulating, but the facts and incidents are not seen from a commanding point.

In his essays, especially his biographical and historical essays, this defect is not observable. They rank among the finest artistic products of the century. They partake of the imperfections of his thinking and the limitations of his character, but they are still perfect of their kind. The articles on Machiavelli, Bunyan, Clive, Hastings, Frederic the Great, Barère, Chatham, not to mention others, are eminent specimens of that critical and interpretative biography, in which the character of the biographer appears chiefly to give anity to the representation of facts and the application

of principles. The amount of knowledge each of them includes can only be estimated by those who have patiently read the many volumes they so brilliantly condense. In style they show a mastery of English which has been attained by no other English author who did not possess a creative imagination. The art of the writer is shown as much in his deliberate choice of common and colloquial phrases as in those splendid passages in which he almost seems to exhaust the resources of the English tongue. As a narrator, in his own province, it would be difficult to name his equal among English writers; to his narrative, all his talents and accomplishments combined to lend fascination ; and in it he exhibited the understanding of Hallam, and the knowledge of Mackintosh, joined to the picturesqueness of Southey, and the wit of Pope.

E. P. W.

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It was an hour after noon. Ligarius was returning from the Campus Martius. He strolled through one of the streets which led to the forum, settling his gown, and calculating the odds on the gladiators who were to fence at the approaching Saturnalia. While thus occupied, he overtook Flaminius, who, with a heavy step and a melancholy face, was sauntering in the same direction. The light-hearted young man plucked him by the sleeve.

“Good day, Flaminius. Are you to be of Catiline's party this evening?"

"Not I."

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Why so? Your little Tarentine girl will break her heart."

"No matter. Catiline has the best cooks and the finest wine in Rome. There are charming women at his parties. But the twelve-line board and the dicebox pay for all. The Gods confound me if I did not lose two millions of sesterces last night. My villa at Tibur, and all the statues that my father the prætor

brought from Ephesus, must go to the auctioneer. That Is a high price, you will acknowledge, even for Phoeni copters, Chian, and Callinice."

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I saw several of the
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leading senators this morning.
whispered in the higher political circles.'

"The Gods confound the political circles. I have nated the name of politician ever since Sylla's proscription, when I was within a moment of having my throat cut by a politician, who took me for another politician. While there is a cask of Falernian in Campania, or a girl in the Suburra, I shall be too well employed to think on the subject."

"You will do well," said Flaminius gravely, "to bestow some little consideration upon it at present. Otherwise, I fear, you will soon renew your acquaintance with politicians, in a manner quite as unpleasant as that to which you allude."

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Averting Gods! what do you mean?”

"I will tell you. There are rumors of conspiracy. The order of things established by Lucius Sylla 'has excited the disgust of the people, and of a large party of the nobles. Some violent convulsion is expected."

"What is that to me? I suppose that they will hardly proscribe the vintners and gladiators, or pass a law compelling every citizen to take a wife.”

"You do not understand. Catiline is supposed to be the author of the revolutionary schemes. You must have heard bold opinions at his table repeatedly.”

"I never listen to any opinions upon such subjects, pold or timid."

"Look to it. Your name has been mentioned."

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