Plutarch. Blind themselves, they took blind guides. They had no experience of freedom; and they took their opinions concerning it from men who had no more experience of it than themselves, and whose imaginations, inflamed by mystery and privation, exaggerated the unknown enjoyment;-from men who raved about patriotism without having ever had a country, and eulogised tyrannicide while crouching before tyrants. The maxim which the French legislators learned in this school was, that political liberty is an end, and not a means; that it is not merely valuable as the great safeguard of order, of property, and of morality, but that it is in itself a high and exquisite happiness to which order, property, and morality ought without one scruple to be sacrificed. The lessons which may be learned from ancient history are indeed most useful and important; but they were not likely to be learned by men who, in all their rhapsodies about the Athenian democracy, seemed utterly to forget that in that democracy there were ten slaves to one citizen; and who constantly decorated their invectives against the aristocrats with panegyrics on Brutus and Cato,-two aristocrats, fiercer, prouder, and more exclusive, than any that emigrated with the Count of Artois.

We have never met with so vivid and interesting a picture of the National Assembly as that which M. Dumont has set before us. His Mirabeau, in particular, is incomparable. All the former Mirabeaus were daubs in comparison. Some were merely painted from the imagination-others were gross caricatures: this is the very individual, neither god nor demon, but a man-a Frenchman,-a Frenchman of the eighteenth century, with great talents, with strong passions, depraved by bad education, surrounded by temptations of every kind,-made desperate at one time by disgrace, and then again intoxicated

by fame. All his opposite and seemingly inconsistent qualities are in this representation so blended together as to make a harmonious and natural whole. Till now, Mirabeau was to us, and, we believe, to most readers of history, not a man, but a string of antitheses. Henceforth he will be a real human being, a remarkable and eccentric being indeed, but perfectly conceivable.

He was fond, M. Dumont tells us, of giving odd compound nicknames. Thus, M. de Lafayette was Grandison-Cromwell; the King of Prussia was AlaricCottin; D'Espremenil was Crispin-Catiline. We think that Mirabeau himself might be described, after his own fashion, as a Wilkes-Chatham. He had Wilkes's sensuality, Wilkes's levity, Wilkes's insensibility to shame. Like Wilkes, he had brought on himself the censure even of men of pleasure by the peculiar grossness of his immorality, and by the obscenity of his writings. Like Wilkes, he was heedless, not only of the laws of morality, but of the laws of honour. Yet he affected, like Wilkes, to unite the character of the demagogue to that of the fine gentleman. Like Wilkes, he conciliated, by his good-humour and his high spirits, the regard of many who despised his character. Like Wilkes, he was hideously ugly; like Wilkes, he made a jest of his own ugliness; and, like Wilkes, he was, in spite of his ugliness, very attentive to his dress, and very successful in affairs of gallantry.

Resembling Wilkes in the lower and grosser parts of his character, he had, in his higher qualities, some affinity to Chatham. His eloquence, as far as we can judge of it, bore no inconsiderable resemblance to that of the great English minister. He was not eminently successful in long set speeches. He was not, on the other hand, a close and ready debater. Sudden bursts, which seemed to be the effect of inspiration-short sentences which came like

lightning, dazzling, burning, striking down every thing before them-sentences which, spoken at critical moments, decided the fate of great questionssentences which at once became proverbs-sentences which everybody still knows by heart-in these chiefly lay the oratorical power both of Chatham and of Mirabeau. There have been far greater speakers, and far greater statesmen, than either of them; but we doubt whether any men have, in modern times, exercised such vast personal influence over stormy and divided assemblies. The power of both was as much moral as intellectual. In true dignity of character, in private and public virtue, it may seem absurd to institute any comparison between them; but they had the same haughtiness and vehemence of temper. In their language and manner there was a disdainful self-confidence, an imperiousness, a fierceness of passion, before which all common minds quailed. Even Murray and Charles Townshend, though intellectually not inferior to Chatham, were always cowed by him. Barnave, in the same manner, though the best debater in the National Assembly, flinched before the energy of Mirabeau. Men, except in bad novels, are not all good or all evil. It can scarcely be denied that the virtue of Lord Chatham was a little theatrical. On the other hand there was in Mirabeau, not indeed anything deserving the name of virtue, but that imperfect substitute for virtue, which is found in almost all superior minds,

-a sensibility to the beautiful and the good, which sometimes amounted to sincere enthusiasm; and which, mingled with the desire of admiration, sometimes gave to his character a lustre resembling the lustre of true goodness-as the "faded splendour wan" which lingered round the fallen archangel resembled the exceeding brightness of those spirits who had kept their first estate.

There are several other admirable portraits of

eminent men in these Memoirs. That of Sieyes in particular, and that of Talleyrand, are masterpieces, full of life and expression. But nothing in the book has interested us more than the view which M. Dumont has presented to us, unostentatiously, and, we may say, unconsciously, of his own character. The sturdy rectitude, the large charity, the goodnature, the modesty, the independent spirit, the ardent philanthropy, the unaffected indifference to money and to fame, make up a character, which, while it has nothing unnatural, seems to us to approach nearer to perfection than any of the Grandisons and Allworthys of fiction. The work is not indeed precisely such a work as we had anticipated -it is more lively, more picturesque, more amusing than we had promised ourselves: and it is, on the other hand, less profound and philosophic. But, if it is not, in all respects, such as might have been expected from the intellect of M. Dumont, it is assuredly such as might have been expected from his heart.

335

BARÈRE. (APRIL, 1844.)

Mémoires de Bertrand Barère; publiés par MM. HIPPOLYTE CARNOT, Membre de la Chambre des Députés, et DAVID d'ANGERS, Membre de l'Institut: précédés d'une Notice Historique par H. CARNOT. 4 tomes. Paris: 1843.

THIS book has more than one title to our serious attention. It is an appeal, solemnly made to posterity by a man who played a conspicuous part in great events, and who represents himself as deeply aggrieved by the rash and malevolent censure of his contemporaries. To such an appeal we shall always give ready audience. We can perform no duty more useful to society, or more agreeable to our own feelings, than that of making, as far as our power extends, reparation to the slandered and persecuted benefactors of mankind. We therefore promptly took into our consideration this copious apology for the life of Bertrand Barère. We have made up our minds; and we now purpose to do him, by the blessing of God, full and signal justice.

It is to be observed that the appellant in this case does not come into court alone. He is attended to the bar of public opinion by two compurgators who occupy highly honourable stations. One of these is M. David of Angiers, member of the Institute, an eminent sculptor, and, if we have been rightly informed, a favourite pupil, though not a kinsman, of the painter who bore the same name.