emphasize all his words aright, unless from the very first he have a sense of at least the form of the sentence yet to come, which sense is fused with his consciousness of the present word, and modifies its emphasis in his mind so as to make him give it the proper accent as he utters it? Emphasis of this kind almost altogether depends on grammatical construction. If we read 'no more,' we expect presently a 'than'; if we read however,' it is a 'yet,' a still,' or a 'nevertheless,' that we expect. And this foreboding of the coming verbal and grammatical scheme is so practically accurate that a reader incapable of understanding four ideas of the book he is reading aloud can nevertheless read it with the most delicately modulated expression of intelligence.

6

It is, the reader will see, the reinstatement of the vague and inarticulate to its proper place in our mental life which I am so anxious to press on the attention. Mr. Galton and Prof. Huxley have, as we shall see in the chapter on Imagination, made one step in advance in exploding the ridiculous theory of Hume and Berkeley that we can have no images but of perfectly definite things. Another is made if we overthrow the equally ridiculous notion that, whilst simple objective qualities are revealed to our knowledge in states of consciousness,' relations are not. But these reforms are not half sweeping and radical enough. What must be admitted is that the definite images of traditional psychology form but the very smallest part of our minds as they actually live. The traditional psychology talks like one who should say a river consists of nothing but pailsful, spoonsful, quartpotsful, barrelsful, and other moulded forms of water. Even were the pails and the pots all actually standing in the stream, still between them the free water would continue to flow. It is just this free water of consciousness that psychologists resolutely overlook. Every definite image in the mind is steeped and dyed in the free water that flows round it. With it goes the sense of its relations, near and remote, the dying echo

of whence it came to us, the dawning sense of whither it is to lead. The significance, the value, of the image is all in this halo or penumbra that surrounds and escorts it, or rather that is fused into one with it and has become bone of its bone and flesh of its flesh; leaving it, it is true, an image of the same thing it was before, but making it an image of that thing newly taken and freshly understood.

Let us call the consciousness of this halo of relations around the image by the name of psychic overtone' or 'fringe.'

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Cerebral Conditions of the Fringe.'-Nothing is easier than to symbolize these facts in terms of brain-action. Just as the echo of the whence, the sense of the starting point of our thought, is probably due to the dying excitement of processes but a moment since vividly aroused; so the sense of the whither, the foretaste of the terminus, must be due to the waxing excitement of tracts or processes whose psychical correlative will a moment hence be the vividly present feature of our thought. Represented by a curve, the neurosis underlying consciousness must at any moment be like this:

Let the horizontal in Fig. 52 be the line of time, and

let the three curves beginning at a, b, and c respectively stand for the neural processes correlated with the thoughts of those three letters. Each process occupies a certain time during which its intensity waxes, culminates, and wanes. The process for a has not yet died out, the pro

cess for c has already begun, when that for b is culminating. At the time-instant represented by the vertical line all three processes are present, in the intensities shown by 'the curve. Those before c's apex were more intense a moment ago; those after it will be more intense a moment hence. If I recite a, b, c, then, at the moment of uttering b, neither a nor c is out of my consciousness altogether, but both, after their respective fashions, mix their dim lights' with the stronger b, because their processes are both awake in some degree.

It is just like 'overtones' in music: they are not separately heard by the ear; they blend with the fundamental note, and suffuse it, and alter it; and even so do the waxing and waning brain-processes at every moment blend with and suffuse and alter the psychic effect of the processes which are at their culminating point.

The Topic of the Thought.-If we then consider the cognitive function of different states of mind, we may feel ssured that the difference between those that are mere 'acquaintance' and those that are 'knowledges-about' is reducible almost entirely to the absence or presence of psychic fringes or overtones. Knowledge about a thing is knowledge of its relations. Acquaintance with it is limitation to the bare impression which it makes. Of most of its relations we are only aware in the penumbral nascent way of a 'fringe' of unarticulated affinities. about it. And, before passing to the next topic in order, I must say a little of this sense of affinity, as itself one of the most interesting features of the subjective stream.

Thought may be equally rational in any sort of terms. In all our voluntary thinking there is some TOPIC or SUBJECT about which all the members of the thought revolve. Relation to this topic or interest is constantly felt in the fringe, and particularly the relation of harmony and discord, of furtherance or hindrance of the topic. Any thought the quality of whose fringe lets us feel ourselves 'all right,' may be considered a thought that furthers the

topic. Provided we only feel its object to have a place in the scheme of relations in which the topic also lies, that is sufficient to make of it a relevant and appropriate portion of our train of ideas.

Now we may think about our topic mainly in words, or we may think about it mainly in visual or other images, but this need make no difference as regards the furtherance of our knowledge of the topic. If we only feel in the terms, whatever they be, a fringe of affinity with each other and with the topic, and if we are conscious of approaching a conclusion, we feel that our thought is rational and right. The words in every language have contracted by long association fringes of mutual repugnance or affinity with each other and with the conclusion, which, run exactly parallel with like fringes in the visual, tactile, and other ideas. The most important element of these fringes is, I repeat, the mere feeling of harmony or discord, of a right or wrong direction in the thought.

If we know English and French and begin a sentence in French, all the later words that come are French; we hardly ever drop into English. And this affinity of the French words for each other is not something merely operating mechanically as a brain-law, it is something we feel at the time. Our understanding of a French sentence heard never falls to so low an ebb that we are not aware that the words linguistically belong together. Our attention can hardly so wander that if an English word be suddenly introduced we shall not start at the change. Such a vague sense as this of the words belonging together is the very minimum of fringe that can accompany them, if thought' at all. Usually the vague perception that all the words we hear belong to the same language and to the same special vocabulary in that language, and that the grammatical sequence is familiar, is practically equivalent to an admission that what we hear is sense. But if an unusual foreign word be introduced, if the grammar trip, or if a term from an incongruous vocabulary suddenly appear,

such as rat-trap' or 'plumber's bill' in a philosophical discourse, the sentence detonates as it were, we receive a shock from the incongruity, and the drowsy assent is gone. The feeling of rationality in these cases seems rather a negative than a positive thing, being the mere absence of shock, or sense of discord, between the terms of thought.

Conversely, if words do belong to the same vocabulary, aud if the grammatical structure is correct, sentences with absolutely no meaning may be uttered in good faith and pass unchallenged. Discourses at prayer-meetings, reshuffling the same collection of cant phrases, and the whole genus of penny-a-line-isms and newspaper-reporter's flourishes give illustrations of this. "The birds filled the tree-tops with their morning song, making the air moist, cool, and pleasant," is a sentence I remember reading once in a report of some athletic exercises in Jerome Park. It was probably written unconsciously by the hurried reporter, and read uncritically by many readers.

We see, then, that it makes little or no difference in what sort of mind-stuff, in what quality of imagery, our thinking goes on. The only images intrinsically important are the halting-places, the substantive conclusions, provisional or final, of the thought. Throughout all the rest of the stream, the feelings of relation are everything, and the terms related almost naught. These feelings of relation, these psychic overtones, halos, suffusions, or fringes about the terms, may be the same in very different systems of imagery. A diagram may help to accentuate this indifference of the mental means where the end is the same. Let A be some experience from which a number of thinkers start. Let Z be the practical conclusion rationally inferrible

A

FIG. 53.

from it. One gets to this conclusion by one line, another