Awaiting the Heavenly Country: The Civil War and America's Culture of DeathCornell University Press, 2011 M03 15 - 264 páginas "Americans came to fight the Civil War in the midst of a wider cultural world that sent them messages about death that made it easier to kill and to be killed. They understood that death awaited all who were born and prized the ability to face death with a spirit of calm resignation. They believed that a heavenly eternity of transcendent beauty awaited them beyond the grave. They knew that their heroic achievements would be cherished forever by posterity. They grasped that death itself might be seen as artistically fascinating and even beautiful."—from Awaiting the Heavenly Country How much loss can a nation bear? An America in which 620,000 men die at each other's hands in a war at home is almost inconceivable to us now, yet in 1861 American mothers proudly watched their sons, husbands, and fathers go off to war, knowing they would likely be killed. Today, the death of a soldier in Iraq can become headline news; during the Civil War, sometimes families did not learn of their loved ones' deaths until long after the fact. Did antebellum Americans hold their lives so lightly, or was death so familiar to them that it did not bear avoiding? In Awaiting the Heavenly Country, Mark S. Schantz argues that American attitudes and ideas about death helped facilitate the war's tremendous carnage. Asserting that nineteenth-century attitudes toward death were firmly in place before the war began rather than arising from a sense of resignation after the losses became apparent, Schantz has written a fascinating and chilling narrative of how a society understood death and reckoned the magnitude of destruction it was willing to tolerate. Schantz addresses topics such as the pervasiveness of death in the culture of antebellum America; theological discourse and debate on the nature of heaven and the afterlife; the rural cemetery movement and the inheritance of the Greek revival; death as a major topic in American poetry; African American notions of death, slavery, and citizenship; and a treatment of the art of death—including memorial lithographs, postmortem photography and Rembrandt Peale's major exhibition painting The Court of Death. Awaiting the Heavenly Country is essential reading for anyone wanting a deeper understanding of the Civil War and the ways in which antebellum Americans comprehended death and the unimaginable bloodshed on the horizon. |
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... argument of this book is that Americans came to fight the Civil War in the midst of a wider cultural world that sent them messages about death that made it easier to kill and to be killed. They understood that death awaited all who were ...
... argue here is that how people behaved on their deathbeds, what they thought about heaven, how they thought their memories would be preserved, what they read and wrote about death, and how they imagined death in their mind's eye, did ...
... argument for the unifying power of death in America. In analyzing the attitudes of Southerners and Northerners, the enslaved and the free, men and women, I have been struck more by similarities than differences. While the culture of ...
... argue that it emerges not simply as a peripheral topic of historical investigation but as the major story. Entering the world of nineteenth-century conceptions of death may be vexed ... argued, that “death has 8 AWAITING THE HEAVENLY COUNTRY.
... argued, that “death has become unnamable.”6 Other historians have softened a bit Ariès' notion that talk of death ... argue that discussions of death are now, more than ever, part of American public discourse. But even here, our modern ...
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Otras ediciones - Ver todas
Awaiting the Heavenly Country: The Civil War and America's Culture of Death Mark S. Schantz Vista previa limitada - 2011 |
Awaiting the Heavenly Country: The Civil War and America's Culture of Death Mark S. Schantz Vista previa limitada - 2013 |