Awaiting the Heavenly Country: The Civil War and America's Culture of DeathCornell University Press, 2011 M03 15 - 264 páginas "Americans came to fight the Civil War in the midst of a wider cultural world that sent them messages about death that made it easier to kill and to be killed. They understood that death awaited all who were born and prized the ability to face death with a spirit of calm resignation. They believed that a heavenly eternity of transcendent beauty awaited them beyond the grave. They knew that their heroic achievements would be cherished forever by posterity. They grasped that death itself might be seen as artistically fascinating and even beautiful."—from Awaiting the Heavenly Country How much loss can a nation bear? An America in which 620,000 men die at each other's hands in a war at home is almost inconceivable to us now, yet in 1861 American mothers proudly watched their sons, husbands, and fathers go off to war, knowing they would likely be killed. Today, the death of a soldier in Iraq can become headline news; during the Civil War, sometimes families did not learn of their loved ones' deaths until long after the fact. Did antebellum Americans hold their lives so lightly, or was death so familiar to them that it did not bear avoiding? In Awaiting the Heavenly Country, Mark S. Schantz argues that American attitudes and ideas about death helped facilitate the war's tremendous carnage. Asserting that nineteenth-century attitudes toward death were firmly in place before the war began rather than arising from a sense of resignation after the losses became apparent, Schantz has written a fascinating and chilling narrative of how a society understood death and reckoned the magnitude of destruction it was willing to tolerate. Schantz addresses topics such as the pervasiveness of death in the culture of antebellum America; theological discourse and debate on the nature of heaven and the afterlife; the rural cemetery movement and the inheritance of the Greek revival; death as a major topic in American poetry; African American notions of death, slavery, and citizenship; and a treatment of the art of death—including memorial lithographs, postmortem photography and Rembrandt Peale's major exhibition painting The Court of Death. Awaiting the Heavenly Country is essential reading for anyone wanting a deeper understanding of the Civil War and the ways in which antebellum Americans comprehended death and the unimaginable bloodshed on the horizon. |
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... Virginia in a box 3 feet long 21⁄2 ft. deep and 2 ft. wide, 1850 136 11. From Reflections on Slavery; with Recent Evidence of its Inhumanity. Occasioned by the Melancholy Death of Romain, A French Negro, by Humanitas, 1803 145 12. From ...
... of Rembrandt Peale's 1820 painting The Court of Death 197 30. Thomas C. Roche, “Dead Confederate Soldier in the Trenches of Fort Mahone, Petersburg, Virginia,” 1865 202 Acknowledgments Many people have made this book a pleasure to.
... Virginia reveals that consumption and various respiratory diseases were leading causes of death among whites, slaves, and free blacks as well.41 Whomever it struck, consumption was a devilishly complex disease. Sometimes manifesting ...
... Virginia and Massachusetts was clearly a portent of divine intervention. Samuel Smith, speaking in Baltimore, Maryland, went even beyond Wirt in outlining the uncanny parallels in the political carriers of the two men—both were ...
... Virginia, Thornton's deathbed reveals Jefferson saying, “I have done for mankind all that I could; I now resign my soul, without fear, to my God—and my daughter to the country.”69 Slaves entered some accounts of Jefferson's end ...
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Otras ediciones - Ver todas
Awaiting the Heavenly Country: The Civil War and America's Culture of Death Mark S. Schantz Vista previa limitada - 2011 |
Awaiting the Heavenly Country: The Civil War and America's Culture of Death Mark S. Schantz Vista previa limitada - 2013 |