The English Novel: Form and FunctionRinehart, 1953 - 276 páginas Essays in analysis on various books including Don Quixote (Cervantes), Pilgrims Progress (Bunyan), Vanity Fair (Thackeray), Pride and Prejudice (Austen), Great Expectations (Dickens), Wuthering Heights (Bronte), Tess of the D'Urbervilles (Hardy), Portrait of a Lady (James), Sons and Lovers (Lawrence), Lord Jim (Conrad). |
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Página 156
... Heathcliff's cruel energies flag and decay . Binding the two " actions " is the perduring figure of Heathcliff himself , demon - lover in the first , pater- nal ogre in the second . Binding them also is the framing narrational con ...
... Heathcliff's cruel energies flag and decay . Binding the two " actions " is the perduring figure of Heathcliff himself , demon - lover in the first , pater- nal ogre in the second . Binding them also is the framing narrational con ...
Página 392
... Heathcliff asks Nelly to " make him decent , " he says , comparing himself with Edgar , " I wish I had light hair ... Heathcliff's wish suggest ? How is that distortion carried out in his son ? What oblique significance ( at the ...
... Heathcliff asks Nelly to " make him decent , " he says , comparing himself with Edgar , " I wish I had light hair ... Heathcliff's wish suggest ? How is that distortion carried out in his son ? What oblique significance ( at the ...
Página 395
... Heathcliff , Catherine , and Edgar , where Edgar is described as appearing " quite slender and youth - like " beside the strongly masculine figure of Heathcliff , and where he is rather peevishly reluctant to allow Catherine to welcome ...
... Heathcliff , Catherine , and Edgar , where Edgar is described as appearing " quite slender and youth - like " beside the strongly masculine figure of Heathcliff , and where he is rather peevishly reluctant to allow Catherine to welcome ...
Contenido
Introduction | 3 |
ON Don Quixote | 9 |
ON The Pilgrims Progress | 21 |
Derechos de autor | |
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Términos y frases comunes
action Adam Bede aesthetic appearance associated attitude Austen Becky Becky's Bennet Blifil Catherine character child Clara Clarissa comic complex concrete consciousness context contrast dark death destiny Dickens Don Quixote dramatic dream Elizabeth emotional end of Chapter episode experience eyes fact father feeling guilt Hardy's Heart of Mid-Lothian Heathcliff human ideal imagination irony Isabel Jane Austen Jeanie Jeanie's Jim's kind language live look Lovelace Madame Merle Marlow marriage meaning metaphor mind Miss Miss Havisham Moll Flanders Moll's moral Morel motif motivation myth nature novel novelist Osmond passage Patna Patusan person Pip's plot Pride and Prejudice psychological Quixote's reality relationship Sancho scene sense Shandy significance social soul spiritual Stephen Sterne's story structure suggest symbolic Tess Tess's theme things tion Toby Tom Jones Tom's Tristram Tristram Shandy V. S. Pritchett values Vanity Fair vision whole words Wuthering Heights