On that ship he talked of life, not literature; and it is not true that I introduced him to the life of letters. At Cape Town, on my last evening, he asked me to his cabin, and I remember feeling that he outweighed for me all the other experiences of... Scribner's Magazine - Página 4editado por - 1925Vista completa - Acerca de este libro
| John Galsworthy - 1927 - 280 páginas
...he asked me to his cabin, and I remember feeling that he outweighed for me all the other experiences of that voyage. Fascination was Conrad's great characteristic...figures of some of his books, we get some conception of the width of his sympathies by reading the following passages in a letter to me of February 1899 on... | |
| John Galsworthy - 1927 - 282 páginas
...other experiences of that voyage. Fascination was Conrad's great characteristic — the fascinatioi of vivid expressiveness and zest, of his deeply affectionate...figures of some of his books, we get some conception of the width of his sympathies by reading the following passages in a letter to me of February 1899 on... | |
| John Galsworthy - 1927 - 208 páginas
...he asked me to his cabin, and I remember feeling that he outweighed for me all the other experiences of that voyage. Fascination was Conrad's great characteristic...portraits of the simple Englishmen of action— the inexpres76 sive Creightons, McWhirrs, Lingards, Bakers, Allistouns, and the half-savage figures of... | |
| Joseph Conrad, Georges Jean-Aubry - 1927 - 384 páginas
...at the Cape to his cabin, and I remember feeling that he outweighed for me all the other experiences of that voyage. Fascination was Conrad's great characteristic...subtle mind. / He was extraordinarily perceptive and receptive.1 They had long talks with him during his off-hours. His personality must have impressed... | |
| William Thomas, Stewart S. Morgan - 1928 - 590 páginas
...Fascination was Conrad's great characteristic—the fascination of vivid expressiveness and zest, of h\3 deeply affectionate heart, and his far-ranging subtle...remember his portraits of the simple Englishmen of action—the inexpressive Creightons, McWhirrs, Lingards, Bakers, Allistouns, and the half-savage figures... | |
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