A Defense of Poetry: Ed. with Introduction and Notes by Albert S. Cook ...Ginn, 1890 - 82 páginas |
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Términos y frases comunes
action age of gold age of poetry ancient Apollonius Rhodius barbarism Bavius beauty become better cæsura Celtic nations character civil Codrus comedy compose composition corruption creations creative cyclic poets Dante Defense of Poesy delight divine drama effect elements epic essay eternal evil expression genius Goethe grave novels Greek harmony Hence highest history of Herodotus Homer human nature ideal imagination imitation immortal influence inspiration intellectual intense iron age King Lear knowledge language less literature Livy Lord Bacon Lucretius Mævius manners melody Milton mind modern poetry moral Muse never Nonnus object observation Paradise passion Peacock perfection perhaps Petrarch philosophers Pindar Plato pleasure poem poetical faculty poetical impressions portion principle produced prose reason relation religion rhapsodist rhythm Roman selectest sense Shakespeare Shelley Sidney society songs soul spirit things thought tion true truth and splendor universal verse whilst words writers
Pasajes populares
Página xxiii - Memory and her siren daughters, but by devout prayer to that eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim with the hallowed fire of his altar to touch and purify the lips of whom he pleases...
Página 76 - For he that hath, to him shall be given: and he that hath not, from him shall be taken even that which he hath.
Página 76 - It is better to go to the house of mourning, than to go to the house of feasting: for that is the end of all men; and the living will lay it to his heart.
Página 14 - The great secret of morals is love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own. A man to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own.
Página 73 - For woman is not undevelopt man, But diverse : could we make her as the man, Sweet Love were slain : his dearest bond is this, Not like to like, but like in difference.
Página 10 - ... develops new and wonderful applications of the eternal truth which it contains. Hence epitomes have been called the moths of just history ; they eat out the poetry of it. A story of particular facts is as a mirror which obscures and distorts that which should be beautiful : poetry is a mirror which makes beautiful that which is distorted.
Página 76 - We look before and after, And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought.
Página 13 - Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar; it reproduces all that it represents, and the impersonations clothed in its Elysian light stand thenceforward in the minds of those who have once contemplated them, as memorials of that gentle and exalted content which extends itself over all thoughts and actions with which it coexists.
Página 46 - Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
Página 14 - A man to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.