Jahrbuch der Deutschen Shakespeare-Gesellschaft, Volumen39G. Reimer, 1903 Vols. 6, 11, 24, and 29-30 include: "Katalog der Bibliothek der Deutschen Shakespeare-Gesellschaft." |
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Términos y frases comunes
Academy and Literature April Arden Arden of Feversham author Bacon Bearbeitung Berlin book Brandl Bühne Calisto Celestina deutschen Deutschen Shakespeare-Gesellschaft Dichter doth Drama dramatic Dramen ebenda Edited Edition Edward Einfluß engl England englischen ersten Falstaff first Folio Genius given Glosters good great Haml Hamlet haue Heinrich Heinrich IV heißt Hrsg Jahrbuch XXXIX Jahre January-June 1902 John Jonson Julius Caesar July-December 1901 Kaufmann von Venedig King König Lear Language läßt Leipzig life Literarisches London Macb Macbeth make Marlowe Melibea Monolog muß neue Notes and Queries Oechelhäuser Original Othello play plays Publikum Refr Rezension Rich Richard Richard III Romeo und Julia Schauspieler Schlegel Schluß Schreyvogel Schröder Selbstgesprächs Series Sh.-Ges Shake Shakespeare Shakespeare's Shylock Sommernachtstraum Spanish speare Stadttheater Stück Szene take Teil Temp Text Theater thou time Tragedy Tragödie Übersetzung unserer Verse weiß William Shakespeare wohl Works Wort write Young
Pasajes populares
Página 206 - I shall the effect of this good lesson keep, As watchman to my heart. But, good my brother, Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven, Whilst, like a puff d and reckless libertine, Himself the primrose path of dalliance treads And recks not his own rede.
Página 19 - An original may be said to be of a vegetable nature, it rises spontaneously from the vital root of genius ; it grows, it is not made : imitations are often a sort of manufacture wrought up by those mechanics, art and labour, out of pre-existent materials not their own.
Página 59 - The Spanish Bawd, represented in Celestina : or, The Tragicke-Comedy of Calisto and Melibea.
Página 268 - The first that broke silence was good old Ben, Prepared before with canary wine, And he told them plainly he deserved the bays, For his were called works, where others were but plays.
Página 2 - But Shakespeare's magic could not copied be; Within that circle none durst walk but he.
Página 33 - Samson was very strong, to his own hurt. Blind to the nature of tragedy, he pulled down all antiquity on his head, and buried himself under it. " Is this 'care's incumbent cloud,' or * the frozen obstructions of age?
Página 18 - The mind of a man of genius is a fertile and pleasant field, pleasant as Elysium, and fertile as Tempe; it enjoys a perpetual spring. Of that spring, Originals are the fairest flowers : Imitations are of quicker growth, but fainter bloom. Imitations are of two kinds; one of nature, one of authors: The first we call Originals, and confine the term Imitation...
Página 228 - Whose blood and judgment are so well commingled That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Página 39 - He came; but, life now glimmering in the socket, the dying friend was silent. After a decent and proper pause, the youth said, "Dear sir, you sent for me: I believe and I hope that you have some commands; I shall hold them most sacred.
Página 202 - But, howsoever thou pursu'st this act, Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her. Fare thee well at once. The glow-worm shows the matin to be near, And 'gins to pale his uneffectual fire; Adieu, adieu, adieu, remember me.