A Players' Handbook: The Theory Ad Practice of Acting

A. A. Milne acter acting action actor arms articulation artist attention audience backbone body breath chair character chest climaxes Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations manner of articulation ment mind Miss Cloey MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player PLAYER'S HANDBOOK playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice-tones walk wall Walt Whitman whole words