Hollywood romantic comedy: States of Union, 1934–1965Manchester University Press, 2013 M07 19 - 208 páginas This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending. The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy. |
Contenido
marriage remarriage and screwball | |
Myrna Loy and William Powell | |
equality and the career woman comedy | |
Katharine Hepburn and Spencer Tracy | |
Desire | |
There must be a boy Doris Day and Rock Hudson | |
the extraordinary couple | |
the cycles | |
Index | |
Otras ediciones - Ver todas
Hollywood Romantic Comedy: States of the Union, 1934-1965 Kathrina Glitre Vista previa limitada - 2006 |
Términos y frases comunes
American appearance asks become Bill Brad Brad’s called career woman comedy characters Connie conventional conversation couple couple’s cultural cycle describes desire dominant effect emphasis equality example expectations fact fantasy father female feminine film film’s final frame function further gender genre girl going Happened happy Hepburn heroine heterosexual Hollywood Hollywood romantic comedy identity implies initially interest involves Jerry kind kiss Lady living look male marriage married masculine meaning narrative natural never Nick Nora notes patriarchal performance play plot position possibility production proves question refer relation relationship remains represented respect reveals role romantic comedy scene screwball comedy seems sense sequence sex comedy sexual shot social society specific star status structure suggests Talk tells Tess things turns union usually wedding wife women