Selections from the Irish Quarterly Review: 1st ser. ...W.B. Kelly, 1857 |
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... POET - RUSSELL'S MEMOIRS OF MOORE . REMINISCENCES OF AN EMIGRANT MILESIAN . AUTOBIOGRAPHY OF ALEXANDER DUMAS . BARRY THE HISTORICAL PAINTER . THE GARRET , THE CABIN , AND THE JAIL . THE HARP OF THE NORTH - MOTHERWELL , HOGG , WILSON ...
... POET - RUSSELL'S MEMOIRS OF MOORE . REMINISCENCES OF AN EMIGRANT MILESIAN . AUTOBIOGRAPHY OF ALEXANDER DUMAS . BARRY THE HISTORICAL PAINTER . THE GARRET , THE CABIN , AND THE JAIL . THE HARP OF THE NORTH - MOTHERWELL , HOGG , WILSON ...
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... 8vo . London : John Russell Smith . 3. Lyra Urbanica ; or the Social Effusions of the Celebrated Captain Charles Morris of the Life Guards , 2 vols . 8vo . London : Richard Bentley 120 V. THE PEER AND THE POET . Memoirs , Journal.
... 8vo . London : John Russell Smith . 3. Lyra Urbanica ; or the Social Effusions of the Celebrated Captain Charles Morris of the Life Guards , 2 vols . 8vo . London : Richard Bentley 120 V. THE PEER AND THE POET . Memoirs , Journal.
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1st ser. ... V. THE PEER AND THE POET . Memoirs , Journal , and Correspondence of Thomas Moore . Edited by the Right Hon . Lord John Russell , M.P. Vols . I. and II . London : Longman , Brown , Green , and Longmans . 1853 . · VI ...
1st ser. ... V. THE PEER AND THE POET . Memoirs , Journal , and Correspondence of Thomas Moore . Edited by the Right Hon . Lord John Russell , M.P. Vols . I. and II . London : Longman , Brown , Green , and Longmans . 1853 . · VI ...
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... poet can often explain his language as merely figurative ; the Painter , however , converts the Eastern imagery of a trumpet blast into a brazen reality . There is an immensity of conven- tional tradition encumbering Art , that has been ...
... poet can often explain his language as merely figurative ; the Painter , however , converts the Eastern imagery of a trumpet blast into a brazen reality . There is an immensity of conven- tional tradition encumbering Art , that has been ...
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... scope both for artist and poet . Contrast an English soldier in heavy marching order , having the semblance of a flower pot on his head , and a box on his back , with a half naked Kaffir , girded with a tunic 14 THE IRISH QUARTERLY REVIEW .
... scope both for artist and poet . Contrast an English soldier in heavy marching order , having the semblance of a flower pot on his head , and a box on his back , with a half naked Kaffir , girded with a tunic 14 THE IRISH QUARTERLY REVIEW .
Términos y frases comunes
admirable amongst appears Barry beautiful boys Bushe Byron called Catholic character Charles charm convivial song court crime death drink Dublin Duke Dumas England English eyes fancy father feeling French genius give grace Grafton-street hand heart honor hooly and fairly Ireland IRISH QUARTERLY REVIEW Joanna Baillie John Kildare Kilfane Kilkenny King Lady Leinster Leinster house letter live London look Lord Lord Byron Lord Holland Lord John Russell Lord Lansdowne Mademoiselle Mars Memoirs mind Moore Moore's moral nature never night noble o'er painted painter party persons picture Plunket poems poet poetical poor present published Richard Power Robert Southey Royal Dublin Society Sheridan society soul spirit sweet taste tell thee thing Thomas Moore thou thought tion United Irishmen whilst wife wine writes wrote young
Pasajes populares
Página 385 - When a man's verses cannot be understood, nor a man's good wit seconded with the forward child, understanding, it strikes a man more dead than a great reckoning in a little room.
Página 124 - HE that loves a rosy Cheek, Or a coral Lip admires ; Or from star-like Eyes doth seek Fuel to maintain his fires : As old Time makes these decay, So his flames must waste away ! But a smooth and steadfast Mind, Gentle Thoughts, and calm Desires, Hearts with equal love combined, Kindle never-dying fires ! Where these are not ; I despise Lovely Cheeks ! or Lips ! or Eyes...
Página 399 - O'er moor and mountain green, O'er the red streamer that heralds the day, Over the cloudlet dim, Over the rainbow's rim, Musical cherub, soar, singing, away ! Then, when the gloaming comes, Low in the heather blooms Sweet will thy welcome and bed of love be ! Emblem of happiness, Blest is thy dwelling-place — Oh, to abide in the desert with thee ! JAMES HOGG.
Página 303 - Mated with a squalid savage — what to me were sun or clime! I the heir of all the ages, in the foremost files of time...
Página 123 - Go, lovely Rose! Tell her, that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be. Tell her that's young And shuns to have her graces spied, That hadst thou sprung In deserts, where no men abide, Thou must have uncommended died. Small is the worth Of beauty from the light retired: Bid her come forth, Suffer herself to be desired, And not blush so to be admired.
Página 5 - And she went, and sat her down over against him a good way off, as it were a bowshot: for she said, Let me not see the death of the child. And she sat over against him, and lift up her voice, and wept.
Página 334 - But why do I talk of Death ? That phantom of grisly bone ? I hardly fear his terrible shape, It seems so like my own — It seems so like my own, Because of the fasts I keep ; Oh, God! that bread should be so dear, And flesh and blood so cheap...
Página 119 - And she may still exist in undiminished vigour when some traveller from New Zealand shall, in the midst of a vast solitude, take his stand on a broken arch of London Bridge to sketch the ruins of St. Paul's.
Página 122 - FOLLOW a shadow, it still flies you, Seem to fly it, it will pursue. So court a mistress, she denies you, Let her alone, she will court you. Say are not women truly, then, Styled but the shadows of us men ? At morn and even shades are longest, At noon they are or short or none. So men at weakest, they are strongest, But grant us perfect, they're not known. Say are not women truly, then, Styled but the shadows of us men...
Página 266 - An Argument, proving, that according to the Covenant of Eternal Life, revealed in the Scriptures, Man may be translated from hence into that Eternal Life, without passing through Death, although the Human Nature of Christ himself could not be thus translated till he had passed through Death ; 1703.