Monochrome Memories: Nostalgia and Style in Retro AmericaBloomsbury Academic, 2002 M09 30 - 224 páginas Through a series of engaging and interlinked case studies on the news magazine, Hollywood film, brand advertising, and movie colorization, this volume examines the resurgence of the black and white image in the 1990s. At a time when American culture was undergoing both diversification and demystification, the black and white image became the expression of nostalgia as a cultural style and was strategically used in the media to visualize a sense of American memory, heritage, and identity. Challenging the current definition of nostalgia as a mood connected to longing and loss, the author presents it as a cultural mode that commodifies and aestheticizes memory. By examining the politics of stylized nostalgia, this volume provides new insight into the construction, representation, and preservation of American national memory at the turn of the 20th century. |
Dentro del libro
Resultados 1-3 de 89
Página 31
... past , has begun to live in a perpetual present and in a perpetual change that obliterates traditions of the kind that all earlier social forma- tions have had in one way or another to preserve.36 There has been , in effect , a ...
... past , has begun to live in a perpetual present and in a perpetual change that obliterates traditions of the kind that all earlier social forma- tions have had in one way or another to preserve.36 There has been , in effect , a ...
Página 55
... past and present , historicity and contemporaneity , in textual syntheses that dis- turb older distinctions between tradition and innovation . This , he sug- gests , has a profound impact on evaluative criteria and the forms of cultural ...
... past and present , historicity and contemporaneity , in textual syntheses that dis- turb older distinctions between tradition and innovation . This , he sug- gests , has a profound impact on evaluative criteria and the forms of cultural ...
Página 58
... past . One involves the hyperconscious reworking of the past and the other appeals to an authenticity located in the past . As a style value , nostalgia can embrace or be seen to escape postmodern culture , depending on its figuration ...
... past . One involves the hyperconscious reworking of the past and the other appeals to an authenticity located in the past . As a style value , nostalgia can embrace or be seen to escape postmodern culture , depending on its figuration ...
Contenido
Putting It in Black and White | 1 |
Theorizing Nostalgia Isnt What It Used to Be | 19 |
Pastness and the Production of Nostalgia | 41 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
advertising aesthetic aestheticization American cultural amnesia Andreas Huyssen Apple campaign Apple's archival articulation authenticity became become black and white black-and black-and-white black-and-white image brand Buell cinematic classic Clinton commercial concept consumer context corporate create critical critique cultural memory culture war defined developed discourse documentary economy figured film Forrest Gump Fredric Jameson Gitlin global Hollywood Holocaust Huyssen iconic ideological iMac industry issue Jim Collins Kammen List and Forrest London magazine meaning memory crisis Michael Bérubé Michael Kammen monochrome monochrome memory mood multiculturalism narratives national identity nostalgia mode nostalgic particular past photographic political popular culture postmodern production Reagan relation representational retro rhetoric Routledge Schindler and Gump Schindler's List Schindlerjuden sense significance social specific Spielberg's status Steve Jobs strategies stylistic suggests taste technologies Ted Turner television temporal textual theory Think different tion Todd Gitlin tradition University Press visual white male Woody Allen York