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possess. Now the cortical brain-processes to which sensations are attached are due to incoming currents from the periphery of the body-an external object must excite the eye, ear, etc., before the sensation comes. Those cortical processes, on the other hand, to which mere ideas or images are attached are due in all probability to currents from other convolutions. It would seem, then, that the currents from the periphery normally awaken a kind of brainactivity which the currents from other convolutions are inadequate to arouse. To this sort of activity-a profounder degree of disintegration, perhaps the quality of vividness, presence, or reality in the object of the resultant consciousness seems correlated.

The Exteriority of Objects of Sensation.-Every thing or quality felt is felt in outer space. It is impossible to conceive a brightness or a color otherwise than as extended and outside of the body. Sounds also appear in space. Contacts are against the body's surface; and pains always Occupy some organ. An opinion which has had much currency in psychology is that sensible qualities are first apprehended as in the mind itself, and then 'projected' from it, or extradited,' by a secondary intellectual or super-sensational mental act. There is no ground whatever for this opinion. The only facts which even seem to make for it can be much better explained in another way, as we shall see later on. The very first sensation which an infant gets is for him the outer universe. And the universe which he comes to know in later life is nothing but an amplification of that first simple germ which, by accretion on the one hand and intussusception on the other, has grown so big and complex and articulate that its first estate is unrememberable. In his dumb awakening to the consciousness of something there, a mere this as yet (or something for which even the term this would perhaps be too discriminative, and the intellectual acknowledgment of which would be better expressed by the bare interjection 'lo!'), the infant encounters an object in which (though it

be given in a pure sensation) all the categories of the understanding' are contained. It has externality, objectivity, unity, substantiality, causality, in the full sense in which any later object or system of objects has these things. Here the young knower meets and greets his world; and the miracle of knowledge bursts forth, as Voltaire says, as much in the infant's lowest sensation as in the highest achievement of a Newton's brain.

The physiological condition of this first sensible experience is probably many nerve-currents coming in from various peripheral organs at once; but this multitude of organic conditions does not prevent the consciousness from being one consciousness. We shall see as we go on that it can be one consciousness, even though it be due to the coöperation of numerous organs and be a consciousness of many things together. The Object which the numerous inpouring currents of the baby bring to his consciousness is one big blooming buzzing Confusion. That Confusion is the baby's universe; and the universe of all of us is still to a great extent such a Confusion, potentially resolvable, and demanding to be resolved, but not yet actually resolved, into parts. It appears from first to last as a space-occupying thing. So far as it is unanalyzed and unresolved we may be said to know it sensationally; but as fast as parts are distinguished in it and we become aware of their relations, our knowledge becomes perceptual or even conceptual, and as such need not concern us in the present chapter.

The Intensity of Sensations.-A light may be so weak as not sensibly to dispel the darkness, a sound so low as not to be heard, a contact so faint that we fail to notice it. In other words, a certain finite amount of the outward stimulus is required to produce any sensation of its presence at all. This is called by Fechner the law of the threshold— something must be stepped over before the object can gain entrance to the mind. An impression just above the threshold is called the minimum visibile, audibile, etc.

From this point onwards, as the impressing force increases, the sensation increases also, though at a slower rate, until at last an acme of the sensation is reached which no increase in the stimulus can make sensibly more great. Usually, before the acme, pain begins to mix with the specific character of the sensation. This is definitely observable in the cases of great pressure, intense heat, cold, light, and sound; and in those of smell and taste less definitely so only from the fact that we can less easily increase the force of the stimuli here. On the other hand, all sensations, however unpleasant when more intense, are rather agreeable than otherwise in their very lowest degrees. A faintly bitter taste, or putrid smell, may at least be interesting.

Weber's Law.-I said that the intensity of the sensation increases by slower steps than those by which its exciting

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cause increases. If there were no threshold, and if every equal increment in the outer stimulus produced an equal increment in the sensation's intensity, a simple straight line would represent graphically the curve' of the relation between the two things. Let the horizontal line stand for the scale of intensities of the objective stimulus, so that at 0 it has no intensity, at 1 intensity 1, and so forth. Let the verticals dropped from the slanting line stand for the sensations aroused. At 0 there will be no sensation; at 1 there will be a sensation represented by the length of the vertical S1-1, at 2 the sensation will be represented by

S-2, and so on. The line of S's will rise evenly because by the hypothesis the verticals (or sensations) increase at the same rate as the horizontals (or stimuli) to which they severally correspond. But in Nature, as aforesaid, they increase at a slower rate. If each step forward in the horizontal direction be equal to the last, then each step upward in the vertical direction will have to be somewhat shorter than the last; the line of sensations will be convex on top instead of straight.

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Fig. 2 represents this actual state of things, 0 being the zero-point of the stimulus, and conscious sensation, represented by the curved line, not beginning until the 'threshold' is reached, at which the stimulus has the value 3. From here onwards the sensation increases, but it increases less at each step, until at last, the 'acme' being reached, the sensation-line grows flat. The exact law of retardation is called Weber's law, from the fact that he first observed it in the case of weights. I will quote Wundt's account of the law and of the facts on which it is based.

"Every one knows that in the stilly night we hear things unnoticed in the noise of day. The gentle ticking of the clock, the air circulating through the chimney, the cracking of the chairs in the room, and a thousand other slight noises, impress themselves upon our ear. It is equally well known that in the confused hubbub of the streets, or the clamor of a railway, we may lose not only what our neighbor says to us, but even not hear the sound of our own voice. The stars

which are brightest at night are invisible by day; and although we see the moon then, she is far paler than at night. Every one who has had to deal with weights knows that if to a pound in the hand a second pound be added, the difference is immediately felt; whilst if it be added to a hundredweight, we are not aware of the difference at all.


"The sound of the clock, the light of the stars, the pressure of the pound, these are all stimuli to our senses, and stimuli whose outward amount remains the same. What then do these experiences teach? Evidently nothing but this, that one and the same stimulus, according to the circumstances under which it operates, will be felt either more or less intensely, or not felt at all. Of what sort now is the alteration in the circumstances upon which this alteration in the feeling may depend? On considering the matter closely we see that it is everywhere of one and the same kind. The tick of the clock is a feeble stimulus for our auditory nerve, which we hear plainly when it is alone, but not when it is added to the strong stimulus of the carriagewheels and other noises of the day. The light of the stars is a stimulus to the eye. But if the stimulation which this light exerts be added to the strong stimulus of daylight, we feel nothing of it, although we feel it distinctly when it unites itself with the feebler stimulation of the twilight. The pound weight is a stimulus to our skin, which we feel when it joins itself to a preceding stimulus of equal strength, but which vanishes when it is combined with a stimulus a thousand times greater in amount.

"We may therefore lay it down as a general rule that a stimulus, in order to be felt, may be so much the smaller if the already preexisting stimulation of the organ is small, but must be so much the larger, the greater the preëxisting stimulation is. . . . The simplest relation would obviously be that the sensation should increase in identically the same ratio as the stimulus. . . . But if this simplest of all relations prevailed, . . . the light of the stars, e.g., ought to make as great an addition to the daylight as it does to the darkness of the nocturnal sky, and this we know to be not the case. . . So it is clear that the strength of the sensations does not increase in proportion to the amount of the stimuli, but more slowly. And now comes the question, in what proportion does the increase of the sensation grow less as the increase of the stimulus grows greater? To answer this question, every-day experiences do not suffice. We need exact measurements, both of the amounts of the various stimuli, and of the intensity of the sensations themselves.

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How to execute these measurements, however, is something which daily experience suggests. To measure the strength of sensa tions is, as we saw, impossible; we can only measure the difference of

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