1883.

ing. Included in "Fu- | 1884.
gitive Poems," Cam-
berwell Browning.)

1883. Impromptu. From
Horace. Pall Mall 1884.
Gazette, Dec. 13, 1883.
(Not reprinted by Brown-
ing. Included in "Fu-
gitive Poems," Cam-
berwell Browning.)

1883. Helen's Tower. Pall
Mall Gazette, Dec.
28, 1883.

1883. (Not reprinted by Brown-
ing. Included in "Fu-

gitive Poems," Cam- 1884.
berwell Browning.)

1884. Ferishtah's Fancies.

(Not reprinted by Browning. Included in " Fugitive Poems," Camberwell Browning.) Introduction by Robert Browning in "The Divine Order and Other Sermons and Addresses,' by the late Thomas Jones. London. 1884.

(Not reprinted by Brown-
ing. Included in
"Prose Pieces," Cam-
berwell Browning.)
The Names. The
Shakespearean Show
Book, p. 1. 1884.
(Not reprinted by Brown-
ing. Included in " Fu-
gitive Poems," Cam-
berwell Browning.)

1885. Why I am a Liberal. In
"Why am I a Liber-
al?" Edited by Andrew
Reid, p. 11. 1885.
(Not reprinted by Brown-
ing. Included in "Fu-
gitive Poems," Cam-
berwell Browning.)

1886. Spring Song: "Dance,

(Not reprinted by Brown- 1887.
ing. Included in "Fu-
gitive Poems," Cam-
berwell Browning.)

1884. The Founder of the
Feast. The World,
London, Apri 16,
1884.

Yellows and Whites

INTRODUCTION.

THE criticism so often quoted of the Review which laconically dismissed "Pauline" as "a piece of pure bewilderment," certainly had some grounds for coming to such a decision. The discerning eye, however, might have at once recognized that it was not the bewilderment of a fool by any means, but that of a highly organized artistic temperament not yet perfectly in harmony with a mind which still groped its way among the multitude of thoughts and fancies engendered in it by the floodgates of knowledge pouring into it from many sources. Any one so endowed cannot at once get over the surprise of his own dawning powers; the processes of his mind and the impulses of his heart are of paramount interest to him, and his first poetical outbreak is bound to have much of the subjective element in it. He does not stop to consider whether the world is as interested as he is in his own sensations, and very likely the charge of egotism will be brought and deserved.

It is true that Browning has attempted to give even Pauline a dramatic cast by representing the speaker as having attained years of discretion after a long and varied series of soul-experiences, -a favorite ruse with the young writer who has experienced nothing. But what we actually have in "Pauline" is the imagina