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time to develop or preserve the necessary suppleness of forearm, wrists and shoulders? Swiftness, strength and skill are the sibilant trio of golfing Graces that every votary should aspire to win, and few indeed are those upon whom nature has bestowed them all.

Imagine a learned jurist and doctor of civil law strenuously posturing for "the sibilant trio of golfing graces" before "some friendly mirror," snatching a fearful joy while his wife is not looking lest peradventure that "gracious household divinity" catch him smashing a chandelier or even in his golfing frenzy making the friendly mirror see stars. Yet if Mrs. Weir should find the doctor of civil law using her drawing room for a putting green and her household gods for

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bunkers he might come to realize that "the perfervid summer links" were chilly by comparison. But this astonishing dance before the looking glass which the learned jurist pictures as his own pas seul-has there been anything quite so unconsciously humorous since the lovesick parade of Malvolio admiring his legs.

When golf or any other fad becomes an obsession the scheme of the universe must be reformed to fulfill its exigencies and the finger of scorn is pointed at the elegant trifler. You are expected to live up to your blue china.

The Ancient Mariner prefers the state of mind of Phyllis, the Pagan, who does not take her fun so hard.

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By HERMAN SCHEFFAUER

Would that his voice were mine, Yosemite!
Who spoke on Sinai with the hidden Lord,
For only then my song were worthy thee,

Song of one humble spirit that adored-
Adored thee as the earth adores her sun,
Thou vast, thou beautiful, yet aweful one.

Thy loveliness is everlasting-born

Of hoary æons when the ice-bound force
Wrought thy wild crags, to such perfection torn,
From height to dimmest depth of glacial course.
The soul of Beauty brooded o'er thy deep,

And thrilling suns and stars beheld thy sleep.

When first thy glory on my vision fell,

The helpless sense scarce grasped the world it saw;
As in some piled cathedral, 'neath the spell
Of the low-rolling organ and its awe;

Then knew mine eyes the tear of ecstasy,
Rich with a great and deathless joy in thee.

I saw thee when the evening sun, all loth
To leave the purpling splendor of thy walls,
Lingered in love upon the Titan growth

Of pines above the sea-voiced waterfalls,
From forth whose mist ethereal rainbows sprung,
With pearls, with diamonds, with emeralds hung.

Shot down the sparkling shafts of morning light
Through crystal airs and paled the shades below-
Up from thy placid lake the sun took flight,

Gilding thy peaks tremendous with their glow:
Only the sun can paint thee as is meet-
How vain for man's slight brush the giant feat!

Ye cliffs and pinnacles that flout the skies,
Suffused with faery lights and gildings pale!
Ye clouds that drift like souls upon the rise

Of domes that drop their torrents like a veil
Dim flushes on the far-off snow crests white,
And shadows deep and full of shapes as night.

O, would that more than mortal voice were mine,
Or seraph's reed to write or brush to limn-
So might I vaunt thy glories all divine

Until my yearning eye with death grew dim!
Then should my spirit woo thy heavenly walls,
And join the eternal anthem of thy falls.

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Face Rocks of Nature

By BERTHA H. SMITH

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Clouds pile themselves into fantastic shapes and cast weird shadows on the ground. Trees and shrubs mimic things of animal kind, and rocks assume forms so foreign to their substance that it seems as if only the hand of a master artist could have made them so.

There are many people in the world like Wordsworth's Peter Bell:

A primrose by the river's brim
A yellow primrose was to him,
And it was nothing more.

To Peter Bells, a rock's a rock, a tree's a tree, a cloud's a cloud, and it is nothing more.

By them Nature's puzzle pictures remain unread. They will never know, as others do, that mountains, with their crags and peaks and jutting, jagged rocks, are alive with faces and forms of human things. True, these mountain folk are ever trick

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This is particularly true of the face rocks of Mount Tamalpais. He who has eyes to see can scarcely find a spot on the trails of Tamalpais from which he cannot trace human features in a nearby rock. It is as if a race of mountain giants had suddenly been turned to stone, or the treasures of prehistoric art had survived eocene convulsions.

Of these the most familiar are the Veiled Prophetess and the Old Lady of Tamalpais. On a ragged cliff so high that the sequoias of Mill Valley seem like stunted shrubs, the bow-knot of Tamalpais railway a narrow ribbon, and the Golden Gate but a shiny streak, sits the Veiled Prophetess of Tamalpais. Immutable, inscrutable, sphynx - like, the face of the seeress is turned ever toward San Francisco, and only the winds from the ocean may gather from her lips the secrets of the future.

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OLD LADY OF TAMALPAIS

A few minutes' walk from the Tavern of Tamalpais on the

trail that cir

cles the crest

of the mountain brings one to the Old Lady that guards the

path where it

narrows on a

rocky, sheerwalled ledge. The profile is perfect. The seams and creases made by centuries of weather are like lines of care and age in a human face.

No one

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