Proceedings of the Aristotelian Society for the Systematic Study of Philosophy, Volumen22Williams and Norgate, 1922 Contains the papers read at the Society's fortnightly meetings in London throughout the academic year, and short discussion notes on these papers. Papers are drawn from an international base of contributors and discuss issues across a broad range of philosophical traditions, including those which are of greatest current interest. |
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... Croce's “ HISTORIOGRAPHY . " By DOUGLAS AINSLIE ... ... ... ... ... 189 205 ... XIII . THE PHILOSOPHICAL ASPECTS OF THE PRINCIPLE OF RELATIVITY . By A. N. WHITEHEAD 215 ... ... 224 XIV . - IN MEMORIAM : MISS E. E. CONSTANCE JONES 226 ...
... Croce's “ HISTORIOGRAPHY . " By DOUGLAS AINSLIE ... ... ... ... ... 189 205 ... XIII . THE PHILOSOPHICAL ASPECTS OF THE PRINCIPLE OF RELATIVITY . By A. N. WHITEHEAD 215 ... ... 224 XIV . - IN MEMORIAM : MISS E. E. CONSTANCE JONES 226 ...
Página 89
... Croce - that science is a mere invention or fiction made by us for purposes of convenience . The actual solid bodies of ordinary consciousness and science are no doubt an invention , a construction - they are not and cannot be given in ...
... Croce - that science is a mere invention or fiction made by us for purposes of convenience . The actual solid bodies of ordinary consciousness and science are no doubt an invention , a construction - they are not and cannot be given in ...
Página 90
... Croce's intolerably confused account of the extrinsecation of art . Nor is this an accident . Although in most cases the idealists appear to assume the existence of other spirits besides themselves , they have no real reason for doing ...
... Croce's intolerably confused account of the extrinsecation of art . Nor is this an accident . Although in most cases the idealists appear to assume the existence of other spirits besides themselves , they have no real reason for doing ...
Página 118
... Croce , both in his original Estetica and in his more recent Breviario di Estetica . And he gives a practical application of it in his essay on Ariosto , where he writes : " However unanimous , simple , and unrestrainable be the ...
... Croce , both in his original Estetica and in his more recent Breviario di Estetica . And he gives a practical application of it in his essay on Ariosto , where he writes : " However unanimous , simple , and unrestrainable be the ...
Página 120
... Croce in discounting these subsidiary distinctions . For that , between the creative act and the recreative taste , although concerning quite a real difference , nevertheless lies within the same kind of activity . And if criticism is ...
... Croce in discounting these subsidiary distinctions . For that , between the creative act and the recreative taste , although concerning quite a real difference , nevertheless lies within the same kind of activity . And if criticism is ...
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Términos y frases comunes
A. N. WHITEHEAD abstraction acquaintance actual admit æsthetic appear argument Aristotelian Society artist assertion beauty C. E. M. JOAD called character cognition colour concept connexion consciousness criterion criticism Croce D.Litt D.Sc Dawes Hicks definition determined discussion distinction doctrine Einstein eixaoía element entities error Euclidian existence experience express F. C. S. Schiller F.B.A. President fact false first-hand geometry ideal imagination individual judgment knowledge L. S. STEBBING laws LL.D logical mathematical means mental mind Miss motion nature Novelty objects observer Oxford particular perceived perception phenomena philosophy physical Plato position possible principle of relativity Prof Professor propositions question realist reality reason regard relation Road S. N. DASGUPTA scientific sense simply Street taste Theaetetus things thinking thought tion true truth ultimate unreal Upanisads Vedanta Vice-President Wildon Carr words δόξα εἰκασία ἐπιστήμη καὶ πίστις
Pasajes populares
Página 49 - It is impossible to meditate on time and the mystery of the creative passage of nature without an overwhelming emotion at the limitations of human intelligence.
Página 47 - I don't know what I may seem to the world; but as to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of Truth lay all undiscovered before me.
Página 120 - One of the poems on which much praise has been bestowed, is Lycidas ; of which the diction is harsh, the rhymes uncertain, and the numbers unpleasing. What beauty there is, we must therefore seek in the sentiments and images. It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough "satyrs and fauns with cloven heel.
Página 166 - In minds able to speak at all there is, it is true, some knowledge about everything. Things can at least be classed, and the times of their appearance told. But in general, the less we analyze a thing, and the fewer of its relations we perceive, the less we know about it and the more our familiarity with it is of the acquaintance-type.
Página 147 - what he does is that he refers either to all the khandhas (groups of mental states, sense-data, emotions, etc.) combined, or any one of them, and deludes himself that that was
Página 166 - ... is, it is true, some knowledge about everything. Things can at least be classed, and the times of their appearance told. But in general, the less we analyze a thing, and the fewer of its relations we perceive, the less we know about it and the more our familiarity with it is of the acquaintance-type. The two kinds of knowledge are, therefore, as the human mind practically exerts them, relative terms.
Página 160 - Ultimate reality is such that it does not contradict itself; here is an absolute criterion. And it is proved absolute by the fact that, either in endeavouring to deny it, or even in attempting to doubt it, we tacitly assume its validity.
Página 120 - It is not to be considered as the effusion of real passion, for passion runs not after remote allusions and obscure opinions. Passion plucks no beri ries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and "fauns with cloven heel." Where there is leisure for fiction, there is little grief.
Página 87 - And when she has arrived at a decision, either gradually or by a sudden impulse, and has at last agreed, and does not doubt, this is called her opinion. I say, then, that to form an opinion is to speak, and opinion is a word spoken, — I mean, to oneself and in silence, not aloud or to another...
Página 49 - The passage of nature which is only another name for the creative force of existence has no narrow ledge of definite instantaneous present within which to operate. Its operative presence which is now urging nature forward must be sought for throughout the whole, in the remotest past as well as in the narrowest breadth of any present duration.