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vided himself with the paper of the period, (being the fly-leaves of old books,) and with ink prepared by a bookbinder, no suspicion was entertained of the deception. The father, who was a maniac upon such subjects, gave such éclat to the supposed discovery, that the attention of the literary world, and all England, was drawn to it; insomuch that the son, who had announced other papers, found it impossible to retreat, and was goaded into the production of the series which he had promised.

The house of Mr. Ireland, in Norfolk-street, Strand, was daily crowded to excess by persons of the highest rank, as well as by the most celebrated men of letters, The MSS. being mostly decreed genuine, were considered to be of inestimable worth; and at one time it was expected that Parliament would give any required sum for them. Some conceited amateurs in literature at length sounded an alarm, which was echoed by certain of the newspapers and public journals; notwithstanding which, Mr. Sheridan agreed to give 6001. for permission to play Vortigern at Drury-lane Theatre. So crowded a house was scarcely ever seen as on the night of the performance, and a vast number of persons could not obtain admission. The pre

determined malcontents began an opposition from the outset some ill-cast characters converted grave scenes into ridicule, and there ensued between the believers and sceptics a contest which endangered the property. The piece was, accordingly, withdrawn.

The juvenile author was now so beset for information, that he found it necessary to abscond from his father's house; and then, to put an end to the wonder

ful ferment which his ingenuity had created, he published a pamphlet, wherein he confessed the entire fabrication. Besides Vortigern, young Ireland also produced a play of Henry II.; and, although there were in both such incongruities as were not consistent with Shakspeare's age, both dramas contain passages of considerable beauty and originality.

The admissions of the son did not, however, screen the father from obloquy, and the reaction of public opinion affected his fortunes and his health. Mr. Ireland was the dupe of his zeal upon such subjects; and the son never contemplated at the outset the unfortunate effect. Such was the enthusiasm of certain admirers of Shakspeare, (among them Drs. Parr and Warton,) that they fell upon their knees before the MSS.; and, by their idolatry, inspired hundreds of others with similar enthusiasm. The young author was filled with astonishment and alarm, which at that stage it was not in his power to check. Sir Richard Phillips, who knew the parties, has thus related the affair in the Anecdote Library.

In the Catalogue of Dr. Parr's Library at Hatton, (Bibliotheca Parriana,) we find the following attempted explanation by the Doctor :

"Ireland's (Samuel) 'Great and impudent forgery, called,' Miscellaneous Papers and Legal Instruments, under the hand and seal of William Shakspeare, folio 1796.

"I am almost ashamed to insert this worthless and infamously trickish book. It is said to include the tragedy of King Lear, and a fragment of Hamlet. Ireland told a lie when he imputed to me the words

which Joseph Warton used, the very morning I called on Ireland, and was inclined to admit the possibility of genuineness in his papers. In my subsequent conversation, I told him my change of opinion. But I thought it not worth while to dispute in print with a detected impostor.-S. P."

Mr. Ireland died about 1802. His son, William Henry, long survived him; but the forgeries blighted his literary reputation for ever, and he died in straitened circumstances, not many years since. The reputed Shakspearean MSS. we remember to have once seen for sale in a pawnbroker's window, in Wardour-street, Soho.

HOOLE, THE TRANSLATOR OF TASSO,
THE GHOST PUZZLED.

HOOLE was born in a hackney-coach, which was conveying his mother to Drury-lane Theatre, to witness the performance of the tragedy of Timanthes, which had been written by her husband. Hoole died in 1839, at a very advanced age. In early life, he ranked amongst the literary characters that adorned the last century; and, for some years before his death, had outlived most of the persons who frequented the conversazioni of Dr. Johnson. By the will of the Doctor, Mr. Hoole was enabled to take from his library and effects such books and furniture as he might think proper to select, by way of memorial of that great personage. He accordingly chose a chair in which

Dr. Johnson usually sat, and the desk upon which he had written the greater number of the papers of the Rambler; both these articles Mr. Hoole used constantly until nearly the day of his death.

Hoole was near-sighted. He was partial to the drama; and, when young, often strutted his hour at an amateur theatre in Lincoln's Inn Fields. Upon one occasion, whilst performing the ghost in Hamlet, Mr. Hoole wandered incautiously from off the trapdoor through which he had emerged from the nether world, and by which it was his duty to descend. In this dilemma he groped about, hoping to distinguish the aperture, keeping the audience in wonder why he remained so long on the stage after the crowing of the cock. It was apparent from the lips of the ghost that he was holding converse with some one at the wings. He at length became irritated, and "alas! poor ghost!" ejaculated, in tones sufficiently audible, "I tell you I can't find it." The laughter that ensued may be imagined. The ghost, had he been a sensible one, would have walked off; but no-he became more and more irritated, until the perturbed spirit was placed, by some of the bystanders, on the trap-door, after which it descended, with due solemnity, amid roars of laughter.

LORD BYRON'S VANITY.

DURING the residence of Lord Byron at Venice, a clerk was sent from the office of Messrs. Vizard and Co., of Lincoln's Inn, to procure his lordship's signa

ture to a legal instrument. On his arrival, the clerk sent a message to the noble poet, who appointed to receive him on the following morning. Each party was punctual to the minute. His lordship had dressed himself with the most studious care; and, on the opening of the door of his apartment, it was evident that he had placed himself in what he thought a becoming pose. His right arm was displayed over the back of a splendid couch, and his head was gently supported by the fingers of his left hand. He bowed slightly as his visitor approached him, and appeared anxious that his recumbent attitude should remain for

a time undisturbed. After the signing of the deed, the noble bard made a few inquiries upon the politics of England, in the tone of a finished exquisite. Some refreshment which was brought in afforded the messenger an opportunity for more minute observation. His lordship's hair had been curled and parted on the forehead; the collar of his shirt was thrown back, so that not only the throat but a considerable portion of his bosom was exposed to view, though partially concealed by some fanciful ornament suspended round the neck. His waistcoat was of costly velvet, and his legs were enveloped in a superb wrapper. It is to be regretted that so great a mind as that of Byron could derive satisfaction from things so trivial and unimportant, but much more that it was liable to be disturbed by a recollection of personal imperfections. In the above interview, the clerk directed an accidental glance at his lordship's lame foot, when the smile that had played upon the visage of the poet became sud

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