plied with food and clothing, with the luxury of the bath and the amusements of the theatre, on whom the greatness of their country conferred rank, and before whom the members of less prosperous communities trembled; and to men who, in case of a change in the public fortunes, would, at least, be deprived of every comfort, and every distinction which they enjoyed. To be butchered on the smoking ruins of their city, to be dragged in chains to a slave-market. to see one child torn from them to dig in the quarries of Sicily, and another to guard the harems of Persepolis; those were the frequent and probable consequences of na tional calamities. Hence, among the Greeks, patriotism became a governing principle, or rather an ungovernable passion. Both their legislators and their philosophers took it for granted, that, in providing for the strength and greatness of the state, they sufficiently provided for the happiness of the people. The writers of the Roman empire lived under despots, into whose dominion a hundred nations were melted down, and whose gardens would have covered the little commonwealths of Phlius and Platea. Yet they continued to employ the same language, and to cant about the duty of sacrificing everything to a country to which they owed nothing.

Causes, similar to those which had influenced the disposition of the Greeks, operated powerfully on the less vigorous and daring character of the Italians. They, too, were members of small communities. Every man was deeply interested in the welfare of the society to which he belonged, a partaker in its wealth and its poverty, in its glory and its shame. In the age of Machiavelli, this was peculiarly the case. Public events had produced an immense sum of money to private citizens. The Northern invaders had brought want to their boards, infamy to their beds, fire to their roofs, and the knife to their throats. It was natural

that a man, who lived in times like these, should overrate the importance of those measures by which a nation is rendered formidable to its neighbors, and undervalue those which make it prosperous within itself.

Nothing is more remarkable, in the political treatises of Machiavelli, than the fairness of mind which they indicate. It appears where the author is in the wrong, almost as strongly as where he is in the right. He never advances a false opinion because it is new or splendid, because he can clothe it in a happy phrase, or defend it by an ingenious sophism. His errors are at once explained, by a reference to the circumstances in which he was placed. They evidently were not sought out; they lay in his way, and could scarcely be avoided. Such mistakes must necessarily be committed by early speculators in every science.

In this respect, it is amusing to compare the Prince and the Discourses with the Spirit of Laws. Montesquieu enjoys, perhaps, a wider celebrity than any political writer of modern Europe. Something he doubtless owes to his merit, but much more to his fortune. He had the good luck of a valentine. He caught the eye of the French nation, at the moment when it was waking from the long sleep of political and religious bigotry; and, in consequence, he became a favorite. The English, at that time, considered a Frenchman who talked about constitutional checks and fundamental laws, as a prodigy not less astonishing than the learned pig or the musical infant. Specious but shallow, studious of effect, indifferent to truth, eager to build a system, but careless of collecting those materials out of which alone a sound and durable system can be built, he constructed theories as rapidly, and as slightly, as card-houses, - no sooner projected than completed, - no sooner completed than blown away, - no sooner blown away than forgotten. Machiavelli errs only because his experience, acquired in a very peculiar

state of society, could not always enable him to calculate the effect of institutions differing from those of which he had observed the operation. Montesquieu errs, because he has a fine thing to say, and is resolved to say it. If the phenomena which lie before him will not suit his purpose, all history must be ransacked. If nothing established by authentic testimony can be raked or chipped to suit his Procrustean hypothesis, he puts up with some monstrous fable about Siam, or Bantam, or Japan, told by writers compared with whom Lucian and Gulliver were veracious, liars by a double right, as travellers and as Jesuits.

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Propriety of thought and propriety of diction are commonly found together. Obscurity and affectation are the two greatest faults of style. Obscurity of expression generally springs from confusion of ideas; and the same wish to dazzle, at any cost, which produces affectation in the manner of a writer, is likely to produce sophistry in his reasonings. The judicious and candid mind of Machiavelli shows itself in his luminous, manly, and polished language. The style of Montesquieu, on the other hand, indicates in every page a lively and ingenious, but an unsound mind. Every trick of expression, from the mysterious conciseness of an oracle to the flippancy of a Parisian coxcomb, is employed to disguise the fallacy of some positions, and the triteness of others. Absurdities are brightened into epigrams; truisms are darkened into enigmas. It is with difficulty that the strongest eye can sustain the glare with which some parts are illuminated, or penetrate the shade in which others are concealed.

The political works of Machiavelli derive a peculiar interest from the mournful earnestness which he manifests, whenever he touches on topics connected with the calamities of his native land. It is difficult to conceive any situation more painful than that of a great man, condemned to

watch the lingering agony of an exhausted country, to tend it during the alternate fits of stupefaction and raving which precede its dissolution, to see the symptoms of vitality disappear one by one, till nothing is left but coldness, darkness, and corruption. To this joyless and thankless duty was Machiavelli called. In the energetic language of the prophet, he was 'mad for the sight of his eyes which he saw,' disunion in the council, effeminacy in the camp, liberty extinguished, commerce decaying, national honor sullied, an enlightened and flourishing people given over to the ferocity of ignorant savages. Though his opinions had not escaped the contagion of that political immorality which was common among his countrymen, his natural disposition seems to have been rather stern and impetuous than pliant and artful. When the misery and degradation of Florence, and the foul outrage which he had himself sustained roused his mind, the smooth craft of his profession and his nation is exchanged for the honest bitterness of scorn and anger. He speaks like one sick of the calamitous times and abject people among whom his lot is cast. He pines for the strength and glory of ancient Rome, for the fasces of Brutus and the sword of Scipio, the gravity of the curule chair, and the bloody pomp of the triumphal sacrifice. He seems to be transported back to the days, when eight hundred thousand Italian warriors sprung to arms at the rumor of a Gallic invasion. He breathes all the spirit of those intrepid and haughty patricians, who forgot the dearest ties of nature in the claims of public duty, who looked with disdain on the elephants and on the gold of Pyrrhus, and listened with unaltered composure to the tremendous tidings of Cannæ. Like an ancient temple deformed by the barbarous architecture of a later age, his character acquires an interest from the very circumstances which debase it. The original proportions are rendered more striking, by the contrast which they present to the mean and incongruous additions.

The influence of the sentiments which we have described

was not apparent in his writings alone. His enthusiasm, barred from the career which it would have selected for itself, seems to have found a vent in desperate levity. He enjoyed a vindictive pleasure in outraging the opinions of a society which he despised. He became careless of those decencies which were expected from a man so highly distinguished in the literary and political world. The sarcastic bitterness of his conversation disgusted those who were more inclined to accuse his licentiousness than their own degeneracy, and who were unable to conceive the strength of those emotions which are concealed by the jests of the wretched, and by the follies of the wise.

The historical works of Machiavelli still remain to be considered. The life of Castruccio Castracani will occupy us for a very short time, and would scarcely have demanded our notice, had it not attracted a much greater share of public attention than it deserves. Few books, indeed, could be more interesting than a careful and judicious account, from such a pen, of the illustrious Prince of Lucca, the most eminent of those Italian chiefs, who, like Pisistratus and Gelon, acquired a power felt rather than seen, and resting, not on law or on prescription, but on the public favor and on their great personal qualities. Such a work would exhibit to us the real nature of that species of sovereignty, so singular and so often misunderstood, which the Greeks denominated tyranny, and which, modified in some degree by the feudal system, reappeared in the commonwealths of Lombardy and Tuscany. But this little composition of Machiavelli is in no sense a history. It has no pretensions to fidelity. It is a trifle, and not a very successful trifle. It is scarcely more authentic than the novel of Belphegor, and is very much duller.

The last great work of this illustrious man was the His