A defence of poetry. Essay on the literature, arts, and manners of the Athenians. Preface to the Banquet of Plato. The banquetLea and Blanchard, 1840 |
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Página 13
... principle from the fulfilment of which happiness is to spring . The few pages here given are all that he left on this subject . The fragment marked as second in these " Specu- lations on Morals " is remarkable for its subtlety and truth ...
... principle from the fulfilment of which happiness is to spring . The few pages here given are all that he left on this subject . The fragment marked as second in these " Specu- lations on Morals " is remarkable for its subtlety and truth ...
Página 18
... principles of composition , his theories of wisdom and virtue , and the ends of existence , rested on a noble and secure basis ; not less does that praise belong to Shelley . His Defence of Poetry is alone sufficient to prove that his ...
... principles of composition , his theories of wisdom and virtue , and the ends of existence , rested on a noble and secure basis ; not less does that praise belong to Shelley . His Defence of Poetry is alone sufficient to prove that his ...
Página 25
... principle of its own integrity . The one is the To ov , or the principle of synthesis , and has for its object those forms which are common to universal nature and existence itself ; the other is the To ov or principle of analysis , and ...
... principle of its own integrity . The one is the To ov , or the principle of synthesis , and has for its object those forms which are common to universal nature and existence itself ; the other is the To ov or principle of analysis , and ...
Página 26
... principle within the human being , and perhaps within all sentient beings , which acts otherwise than in a lyre , and produces not melody alone , but harmony , by an internal adjustment of the sounds and motions thus excited to the ...
... principle within the human being , and perhaps within all sentient beings , which acts otherwise than in a lyre , and produces not melody alone , but harmony , by an internal adjustment of the sounds and motions thus excited to the ...
Página 27
... principles of society itself , and restrict our view to the manner in which the imagination is expressed upon its forms . In the youth of the world , men dance and sing and imitate natural objects , observing in these actions , as in ...
... principles of society itself , and restrict our view to the manner in which the imagination is expressed upon its forms . In the youth of the world , men dance and sing and imitate natural objects , observing in these actions , as in ...
Términos y frases comunes
according actions admirable Agathon Albedir Alcestis Alcibiades ancient Apollodorus Aristodemus Aristophanes assert Athenian beautiful become called cause cerning conceive conduct considered Corybantes death Defence of Poetry degree delight desire Diotima discourse distinction divine doctrines effect entreat Eryximachus eternal evil excellent existence express faculty feel fragments gods happiness harmony Hesiod Homer honourable human mind ignorance imagination immortal inspired intellectual Jupiter knowledge language laws live Love lover man-the mankind manner Marsyas melody MENEXENUS ment moral multitude nature never object observe opinion pain passion Pausanias perfect Periclean age Pericles person Phædrus philosophers Plato pleasure poetical poetry poets portion possession praise present principle produced reason regard relation religion render replied rhapsodist seek sensation sense Shelley society Socrates sophism soul speak spirit suffer things thou thought tion truth uncon universal verse virtue whilst wisdom wise wonder words
Pasajes populares
Página 29 - But poets, or those who imagine and express this indestructible order, are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting; they are the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true, that partial apprehension of the agencies of the invisible world which is called religion.
Página 54 - But it exceeds all imagination to conceive what would have been the moral condition of the world if neither Dante, Petrarch, Boccaccio, Chaucer, Shakespeare, Calderon, Lord Bacon, nor Milton had ever existed...
Página 30 - But poetry in a more restricted sense expresses those arrangements of language, and especially metrical language, which are created by that imperial faculty; whose throne is curtained within the invisible nature of man. And this springs from the nature itself of language, which is a more direct representation of the actions and passions of our internal being, and is susceptible of more various and delicate combinations, than colour, form, or motion, and is more plastic and obedient to the control...
Página 62 - The persons in whom this power resides, may often, as far as regards many portions of their nature, have little apparent correspondence with that spirit of good of which they are the ministers. But even whilst they deny and abjure, they are yet compelled to serve, the power which is seated on the throne of their own soul.
Página 58 - Poetry thus makes immortal all that is best and most beautiful in the world; it arrests the vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in form, sends them forth among mankind, bearing sweet news of kindred joy to those with whom their sisters...
Página 57 - It is as it were the interpenetration of a diviner nature through our own ; but its footsteps are like those of a wind over the sea, which the coming calm erases, and whose traces remain only as on the wrinkled sand which paves it.
Página 56 - The greatest poet even cannot say it ; for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness ; this power arises from within, like the colour of a flower which fades and changes as it is developed, and the conscious portions of our natures are unprophetic either of its approach or its departure.
Página 29 - A poet participates in the eternal, the infinite, and the one; as far as relates to his conceptions, time and place and number are not. The grammatical forms which express the moods of time, and the difference of persons, and the distinction of place, are convertible with respect to the highest poetry without injuring it as poetry...
Página 35 - Few poets of the highest class have chosen to exhibit the beauty of their conceptions in its naked truth and splendour ; and it is doubtful whether the alloy of costume, habit, &c., be not necessary to temper this planetary music for mortal ears.
Página 35 - The great secret of morals is love ; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own. A man, to be greatly good, must imagine intensely and comprehensively ; he must put himself in the place of another and of many others ; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination ; and poetry administers to the effect by acting upon the cause.