Wake, wake again, the night Is bending from her throne of beauty down, With still stars burning on her azure crown, Intense and eloquently bright. Night, at its pulseless noon! When the far voice of waters mourns in song, And some tired watch-dog, lazily and long, Barks at the melancholy moon. Hark! how it sweeps away, Soaring and dying on the silent sky, As if some sprite of sound went wandering by, With lone halloo and roundelay! Swell, swell in glory out! Thy tones come pouring on my leaping heart, Oh! have ye heard that peal, From sleeping city's moon-bathed battlements, Or have ye in the roar Of sea, or storm, or battle, heard it rise, Go, go-no other sound, No music that of air or earth is born, ADDRESS TO LORD BYRON, ON THE PUBLICATION OF CHILDE HAROLD. BY GRANVILLE PENN. COLD is the breast, extinct the vital spark, Would joy to press that blessed ethereal ground, Where peace, and truth, and life, and friends, and love abound. I "deem not Harold's breast a breast of steel," The shore to which his soul would love to cleave; Would, Harold, I could make thee know full oft, That bearing thus the helm, the land thou seekest is left. Is Harold "satiate with worldly joy?" To Him, who, ever gracious, ever nigh, Demands the heart that breaks the world's hard chain; If early freed, though by satiety, Vast is the privilege that man may gain;— Who early foils the foe, may well the prize obtain. LYRE. I 86 ADDRESS TO LORD BYRON. Thou lovest nature with a filial zeal, Canst fly mankind to brood with her apart; Unutterable sure, that inward feel, When swells the soul, and heaves the labouring heart With yearning throes, which nothing can impart "'Tis ecstacy to brood o'er flood and fell," Converse with Nature's God, and see His stores unrolled. Forget we not the Artist in the art, Nor overlook the Giver in the grace; Say, what is Nature, but that little part Which man's imperfect vision can embrace Of the stupendous whole, which fills all space; The work of Him by whom all space is bound! Shall Raphael's pencil Raphael's self efface? Shall Handel's self be lost in Handel's sound? Or, shall not Nature's God in Nature's works be found? But Harold "through sin's labyrinth has run," And does the memory of that evil done Disturb his spirit, or obscure his bliss? ADDRESS TO LORD BYRON. 'Tis just; 'tis Harold's due-yet let not this Press heavier on his heart than heaven ordains; What mortal lives, not guilty nor remiss; 87 What breast that has not felt remorse's pains? What human soul so pure, but marked by sin's dark stains? And can this helpless thing, pollute, debased, Yet is atonement made :-Creation's Lord Deserts not thus the work his skill devised; Man, not his creature only, but his ward, Too dearly in his Maker's eye is prized, Than thus to be abandoned and despised. Atonement is the Almighty's richest dole, And ever in the mystic plan comprised, To mend the foul defacements of the soul, Restore God's likeness lost, and make the image whole. Oh!" if, as holiest men have deemed there be, In better worlds!-Ah! Harold, I conjure, Has pledged his sacred word, and demonstration wrought. 88 ADDRESS TO LORD BYRON. Did Babylon, in truth, by Cyrus fall? Is't true that Persia stained the Grecian land? Did Philip's son the Persian host enthrall? Or Cæsar's legions press the British strand? Fell Palestine by Titus' sword and brand?— Can Harold to such facts his faith entrust? Then let him humbly learn, and understand :"Then Christ is risen from the dead!"-the first Dear pledge of mortal frames yet mouldering in the dust. But Harold "will not look beyond the tomb," And languish for their own celestial clime, Far in the bounds of space,-beyond the bounds of time. There must thou surely live-and of that life Such, such the prospect,-such the glorious boon, |