Tom Jones, Volumen2

Derby, 1861
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Crítica de los usuarios - Marcar como inapropiado

Treasure island
Super book have read it for a long time great

Crítica de los usuarios - Marcar como inapropiado

Tom Jones by Henry Fielding, full text.(GOOGLE BOOK SEARCH)
Joseph Andrews by Henry Fielding, Book Review(.CAT DIRT SEZ)
Tale of a Tub by Jonathan Swift, Book Review.(CAT DIRT SEZ)
Robinson Crusoe by Daniel DeFoe, Book Review.(CAT DIRT SEZ)
Moll Flanders by Daniel Defoe, Book Review.(CAT DIRT SEZ)
The History of Tom Jones
A Foundling by Henry Fielding
originally published 1749
It's been said that Tom Jones could be considered the first novel. I've read the same thing about Moll Flanders, so I don't take such statements very seriously- but the fact is, Tom Jones is one of the first novels. More like two novels- at 7 to 9 hundred pages long, Jones is an epic slog through English society circa 1750.
Whenever you read 18th century literature you need to ask yourself, "Is there some narrative form that this copies of which I am presently unaware?" In the case of Tom Jones, the answer is, "Yes." and that form is Picaresque. The basic idea of picaresque as applied to the novel is "Hero walks around and sees different types of people." Picaresque maintains a fascination with the grotesque and the odd ball- think of Hunter Thompson's characterizations of Vegas Tourists in "Fear and Loathing in Las Vegas" for a modern analogue.
People often conflate the 18th century with the later Victorian period, but I can assure you that the 18th century was a far bawdier place. Indeed, the early novels: this one, Moll Flanders- Joseph Andrews, all share ribald plot points- both Flanders and Jones have plot points involving explicit allegations of parent/child incest. In Jones, the entire plot revolves around his desire to marry Sophia. That doesn't stop him from banging multiple chicks along the way.
The length of the novel means that Fielding has ample opportunity for human observation, dialect and moral teachings. You simply can't read 18th century British literature without discussing the morality issues. Although it is presently regarded highly for it's historical value, a debate over the artisitic merit is long standing:
Few novels, indeed, have aroused such stark and abiding evaluative disagreements as 'Tom Jones'. From the first, what some readers hailed as a refreshingly broad-spirited tolerance was denounced by others, like Richardson, as moral coarseness and special pleading. Coleridge's admiration for the book's plot (shared by Smollett and Thackeray) as one of the three most perfect in literature ... was the reverse of Dr Johnson's or Frank Kermode's dismissal of it as clockwork. The chatty asides and prefatory discourses which charmed Empson were so disliked by Somerset Maugham that his own edition of 'Tom Jones' simply left the latter out.
I def. like the "lack of fussiness" that Jones brings to his description. I do agree with Maugham's decision to omit the chatty "prefatory discourses"- I almost never understood what he was talking about.
I very much noticed Fielding's classical education at work. This is a time period when culture fields were establishing new archetypes, independent of Roman/Greece and Renaissance examples but Tom Jones is attached to those traditions more thoroughly then Robinson Crusoe, which exists largely outside of classical reference points and allusions.
Ultimately, the development of the novel as a literary form is all about plot development, and it is for the excellent development here that Jones secures his place in the canon. In the words of Roberts, again:
the main unity-promoting device is the use nearly of all the secondary characters to advance an ethos and illustrate a scheme of moral taxonomy. Fielding's moral vision operates for example between the moral polarities of appearance and reality, action (what one sees) and motive (what one deduces), reasoned principle and instinct, prudence and impulsiveness, and suspicion and trust.

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Página 37 - Even such a man, so faint, so spiritless, So dull, so dead in look, so woe-begone, Drew Priam's curtain in the dead of night...
Página 256 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Página 49 - Good name in man and woman, dear my lord, Is the immediate jewel of their souls : Who steals my purse, steals trash ; 'tis something, nothing ; 'Twas mine, 'tis his, and has been slave to thousands : But he that filches from me my good name Robs me of that which not enriches him, And makes me poor indeed, Oth.
Página 318 - Partridge, with a contemptuous sneer, "why, I could act as well as he myself. I am sure, if I had seen a ghost, I should have looked in the very same manner, and done just as ne did.
Página 63 - I made no doubt but that his designs were strictly honourable, as the phrase is ; that is, to rob a lady of her fortune by way of marriage. My aunt was, I conceived, neither young enough, nor handsome enough, to attract much wicked inclination ; but she had matrimonial charms in great abundance. I was the more confirmed in this opinion from the extraordinary respect which he showed to myself, from the first moment of our acquaintance.
Página 155 - Foretel me that some tender maid, whose grandmother is yet unborn, hereafter, when, under the fictitious name of Sophia, she reads the real worth which once existed in my Charlotte, shall from her sympathetic breast send forth the heaving sigh. Do thou teach me not only to foresee, but to enjoy, nay, even to feed on future praise. Comfort me by...
Página 316 - Partridge gave that credit to Mr. Garrick which he had denied to Jones, and fell into so violent a trembling that his knees knocked against each other. Jones asked him what was the matter, and whether he was afraid of the warrior upon the stage?
Página 157 - From thee only can the manners of mankind be known ; to which the recluse pedant, however great his parts, or extensive his learning may be, hath ever been a stranger.
Página 316 - Whatever happens it is good enough for you. — Follow you ? — I'd follow the devil as soon. Nay, perhaps, it is the devil ; for they say he can put on what likeness he pleases. Oh ! here he is again. — No farther ! No, you have gone far enough already ; farther than I'd gone for all the king's dominions.
Página 317 - Partridge sat in fearful expectation of this ; and now, when the ghost made his next appearance, Partridge cried out, ' There, Sir, now ; what say you now ? is he ' frightened now or no. ? As much frightened as you ' think me, and, to be sure, nobody can help some fears. ' I would not be in so bad a condition as what's his name, ' Squire Hamlet, is there, for all the world.

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