Grandison-Cromwell; the king of Prussia was AlaricCottin; D'Espremenil was Crispin-Catiline. We think that Mirabeau himself might be described, after his own fashion, as a Wilkes-Chatham. He had Wilkes's sensuality, Wilkes's levity, Wilkes's insensibility to shame. Like Wilkes, he had brought on himself the censure even of men of pleasure by the peculiar grossness of his immorality, and by the obscenity of his writings. Like Wilkes, he was heedless, not only of the laws of morality, but of the laws of honour. Yet he affected, like Wilkes, to unite the character of the demagogue to that of the fine gentleman. Like Wilkes, he conciliated, by his good humour and his high spirits, the regard of many who despised his charac ter. Like Wilkes, he was hideously ugly; like Wilkes, he made a jest of his own ugliness; and, like Wilkes, he was, in spite of his ugliness, very attentive to his dress, and very successful in affairs of gallantry.

Resembling Wilkes in the lower and grosser parts of his character, he had, in his higher qualities, some affinity to Chatham. His eloquence, as far as we can judge of it, bore no inconsiderable resemblance to that of the great English minister. He was not eminently successful in long set speeches. He was not, on the other hand, a close and ready debater. Sudden bursts, which seemed to be the effect of inspiration - short sentences which came like lightning, dazzling, burning, striking down every thing before them-sentences which, spoken at critical moments, decided the fate of great questions sentences which at once became proverbs sentences which everybody still knows by heart in these chiefly lay the oratorical power both of Chatham and of Mirabeau. There have been far greater speakers, and far greater statesmen, than either

of them; but we doubt whether any men have, in modern times, exercised such vast personal influence over stormy and divided assemblies. The power of both was as much moral as intellectual. In true dignity of character, in private and public virtue, it may seem absurd to institute any comparison between them; but they had the same haughtiness and vehemence of temper. In their language and manner there was a disdainful self-confidence, an imperiousness, a fierceness of passion, before which all common minds quailed. Even Murray and Charles Townshend, though intellectually not inferior to Chatham, were always cowed by him. Barnave, in the same manner, though the best debater in the National Assembly, flinched before the energy of Mirabeau. Men, except in bad novels, are not all good or all evil. It can scarcely be denied that the virtue of Lord Chatham was a little theatrical. On the other hand there was in Mirabeau, not indeed any thing deserving the name of virtue, but that imperfect substitute for virtue which is found in almost all superior minds, a sensibility to the beautiful and the good, which sometimes amounted to sincere enthusiasm; and which, mingled with the desire of admiration, sometimes gave to his character a lustre resembling the lustre of true goodness, as the "faded splendour wan" which lingered round the fallen archangel resembled the exceeding brightness of those spirits who had kept their first estate.

There are several other admirable portraits of eminent men in these Memoirs. That of Sieyes a particular, and that of Talleyrand, are masterpieces, full of life and expression. But nothing in the book has interested us more than the view which M. Dunont has presented to us, unostentatiously, and, we

VOL. III.

may say, unconsciously, of his own character. The sturdy rectitude, the large charity, the good-nature, the modesty, the independent spirit, the ardent philanthropy, the unaffected indifference to money and to fame, make up a character which, while it has nothing unnatural, seems to us to approach nearer to perfection than any of the Grandisons and Allworthys of fiction. The work is not indeed precisely such a work as we had anticipated-it is more lively, more picturesque, more amusing than we had promised ourselves; and it is, on the other hand, less profound and philosophic. But, if it is not, in all respects, such as might have been expected from the intellect of M. Dumont, it is assuredly such as might have been expected from his heart.

WAR OF THE SUCCESSION IN SPAIN.1

(Edinburgh Review, January, 1833.)

THE days when Miscellanies in Prose and Verse by a Person of Honour, and Romances of M. Scuderi, done into English by a Person of Quality, were attractive to readers and profitable to booksellers, have long gone by. The literary privileges once enjoyed by lords are as obsolete as their right to kill the King's deer on their way to Parliament, or as their old remedy of scandalum magnatum. Yet we must acknowledge that, though our political opinions are by no means aristocratical, we always feel kindly disposed towards noble authors. Industry and a taste for intellectual pleasures are peculiarly respectable in those who can afford to be idle and who have every temptation to be dissipated. It is impossible not to wish success to a man who, finding himself placed, without any exertion or any merit on his part, above the mass of society, voluntarily descends from his eminence in search of distinctions which he may justly call his

own.

This is, we think, the second appearance of Lord Mahon in the character of an author. His first book was creditable to him, but was in every respect inferior to the work which now lies before us. He has

1 History of the War of the Succession in Spain. By LORD MAHON. ondon: 1832.

8vo.

undoubtedly some of the most valuable qualities of a historian, great diligence in examining authorities, great judgment in weighing testimony, and great impartiality in estimating characters. We are not aware that he has in any instance forgotten the duties belonging to his literary functions in the feelings of a kinsman. He does no more than justice to his ances tor Stanhope; he does full justice to Stanhope's enemies and rivals. His narrative is very perspicuous, and is also entitled to the praise, seldom, we grieve to say, deserved by modern writers, of being very concise. It must be admitted, however, that, with many of the best qualities of a literary veteran, he has some of the faults of a literary novice. He has not yet acquired a great command of words. His style is seldom easy, and is now and then unpleasantly stiff. He is so bigoted a purist that he transforms the Abbé d'Estrées into an Abbot. We do not like to see French words introduced into English composition; but, after all, the first law of writing, that law to which all other laws are subordinate, is this, that the words employed shall be such as convey to the reader the meaning of the writer. Now an Abbot is the head of a religious house; an Abbé is quite a different sort of person. It is better undoubtedly to use an English word than a French word; but it is better to use a French word than to misuse an English word.

Lord Mahon is also a little too fond of uttering moral reflections in a style too sententious and oracular. We will give one instance: "Strange as it seems, experience shows that we usually feel far more animosity against those whom we have injured than against those who injure us: and this remark holds good with every degree of intellect, with every class of fortune