"O Lachrymarum fons, tenero sacros Pectore te, pia Nympha, sensit." I. -Gray's Poemata. There's not a joy the world can give like that it takes away, When the glow of early thought declines in feeling's dull decay; 'Tis not on youth's smooth cheek the blush alone, which fades so fast, But the tender bloom of heart is gone, e'er youth itself be past. II. Then the few whose spirits float above the wreck of happiness 5 Are driven o'er the shoals of guilt or ocean of excess: The magnet of their course is gone, or only points in vain The shore to which their shiver'd sail shall never stretch again. III. Then the mortal coldness of the soul like death itself comes down; It cannot feel for others' woes, it dare not dream its own; 10 That heavy chill has frozen o'er the fountain of our tears, And though the eye may sparkle still, 'tis where the ice appears. IV. Though wit may flash from fluent lips, and mirth distract the breast, Through midnight hours that yield no more their former hope of rest; 14 'Tis but as ivy leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and gray beneath. V. Oh could I feel as I have felt,-or be what I have been, Or weep as I could once have wept o'er many a vanish'd scene: As springs in deserts found seem sweet, all brackish though they be, So midst the wither'd waste of life, those tears would flow to me. 20 SHE WALKS IN BEAUTY (From Hebrew Melodies, 1815) I. She walks in beauty, like the night Of cloudless climes and starry skies; 5 Thus mellow'd to that tender light Which heaven to gaudy day denies. II. 10 One shade the more, one ray the less, Or softly lightens o'er her face; III. And on that cheek, and o'er that brow, 15 The smiles that win, the tints that glow, A mind at peace with all below, SONNET ON CHILLON (Introduction to The Prisoner of Chillon) Eternal spirit of the chainless mind! 5 And thy sad floor an altar-for 'twas trod, 10 Until his very steps have left a trace Worn, as if thy cold pavement were a sod, By Bonnivard!-May none those marks efface! For they appeal from tyranny to God. CHILDE HAROLD'S PILGRIMAGE (1816) CANTO III. III. In my youth's summer I did sing of One, 20 25 The furrows of long thought, and dried-up tears, Which, ebbing, leave a sterile track behind, O'er which all heavily the journeying years Plod the last sands of life,-where not a flower appears. VIII. Something too much of this:-but now 'tis past, 65 He of the breast which fain no more would feel, Wrung with the wounds which kill not, but ne'er heal; Yet Time, who changes all, had altered him In soul and aspect as in age: years steal Fire from the mind as vigour from the limb; And life's enchanted cup but sparkles near the brim. IX. His had been quaff'd too quickly, and he found 70 75 Which gall'd forever, fettering though unseen, And heavy though it clank'd not; worn with pain, Which pined although it spoke not, and grew keen, Entering with every step he took through many a scene. 81 XII. But soon he knew himself the most unfit 100 Of men to herd with Man; with whom he held His thoughts to others, though his soul was quell'd 105 In youth by his own thoughts; still uncompell'd, XIII. Where rose the mountains, there to him were friends; Where roll'd the ocean, thereon was his home; 110 Where a blue sky, and glowing clime, extends, He had the passion and the power to roam; The desert, forest, cavern, breaker's foam, Were unto him companionship; they spake A mutual language, clearer than the tome Of his land's tongue, which he would oft forsake For Nature's pages glass'd by sunbeams on the lake. XIV. Like the Chaldean, he could watch the stars, Till he had peopled them with beings bright 115 121 As their own beams; and earth, and earth-born jars, |