Johnson himself did not think in the dialect in which he wrote. The expressions which came first to his tongue were simple, energetic, and picturesque. When he wrote for publication, he did his sentences out of English into Johnsonese. His letters from the Hebrides to Mrs. Thrale are the original of that work of which the Journey to the Hebrides is the translation; and it is amusing to compare the two versions. "When we were taken up stairs," says he in one of his letters, Ia dirty fellow bounced out of the bed on which one of us was to lie." This incident is recorded in the Journey as follows: "Out of one of the beds on which we were to repose started up, at our entrance, a man black as a Cyclops from the forge." Sometimes Johnson translated aloud. "The Rehearsal," he said, very unjustly, "has not wit enough to keep it sweet;" then, after a pause, "it has not vitality enough to preserve it from putrefaction."

66

Mannerism is pardonable, and is sometimes even agreeable, when the manner, though vicious, is natural. Few readers, for example, would be willing to part with the mannerism of Milton or of Burke. But a mannerism which does not sit easy on the mannerist, which has been adopted on principle, and which can be sustained only by constant effort, is always offensive. And such is the mannerism of Johnson.

The characteristic faults of his style are so familiar to all our readers, and have been so often burlesqued, that it is almost superfluous to point them out. It is well known that he made less use than any other eminent writer of those strong plain words, Anglo-Saxon or Norman-French, of which the roots lie in the inmost depths of our language; and that he felt a vicious partiality for terms which, long after our own speech had been fixed, were borrowed from the Greek and Latin, and which, therefore, even when lawfully naturalised, must be considered as born aliens, not entitled to rank with the king's English. His constant practice of padding out a sentence with useless epithets, till it became as stiff as the bust of an exquisite, his antithetical forms of expression, constantly employed even where there is no opposition in the ideas expressed, his big words wasted on little things, his harsh inversions, so widely different from those graceful and easy inversions which give variety, spirit, and sweetness to the expression of our great old writers, all these peculiarities have been imitated by his admirers and parodied by his assailants, till the public has become sick of the subject.

Goldsmith said to him, very wittily and very justly, “If

you were to write a fable about little fishes, doctor, you would make the little fishes talk like whales." No man surely ever had so little talent for personation as Johnson. Whether he wrote in the character of a disappointed legacy-hunter or an empty town fop, of a crazy virtuoso or a flippant coquette, he wrote in the same pompous and unbending style. His speech, like Sir Piercy Shafton's Euphuistic eloquence, bewrayed him under every disguise. Euphelia and Rhodoclea talk as finely as Imlac the poet or Seged, Emperor of Ethiopia. The gay Cornelia describes her reception at the country-house of her relations, in such terms as these: "I was surprised, after the civilities of my first reception, to find, instead of the leisure and tranquillity which a rural life always promises, and, if well conducted, might always afford, a confused wildness of care, and a tumultuous hurry of diligence, by which every face was clouded, and every motion agitated." The gentle Tranquilla informs us, that she "had not passed the earlier part of life without the flattery of courtship, and the joys of triumph; but had danced the round of gaiety amidst the murmurs of envy and the gratulations of applause, had been attended from pleasure to pleasure by the great, the sprightly, and the vain, and had seen her regard solicited by the obsequiousness of gallantry, the gaiety of wit, and the timidity of love." Surely Sir John Falstaff himself did not wear his petticoats with a worse grace. The reader may well cry out, with honest Sir Hugh Evans, “I like not when a 'oman has a great peard: I spy a great peard under her muffler.”*

We had something more to say. But our article is already too long; and we must close it. We would fain part in good humour from the hero, from the biographer, and even from the editor who, ill as he has performed his task, has at least this claim to our gratitude, that he has induced us to read Boswell's book again. As we close it, the club-room is before us, and the table on which stands the omelet for Nugent, and the lemons for Johnson. There are assembled those heads which live for ever on the canvass of Reynolds. There are the spectacles of Burke and the tall thin form of Langton, the courtly sneer of Beauclerk and the beaming smile of Garrick, Gibbon tapping his snuff-box and Sir Joshua with his trumpet in his ear. In the foreground is that strange figure which is as familiar to us as the figures of those among whom

* It is proper to observe that this passage bears a very close resemblance to a passage in the Rambler (No. 20.)

The resemblance may possibly be the effect of unconscious plagiarism.

538 CROKER'S EDITION OF BOSWELL'S LIFE OF JOHNSON.

we have been brought up, the gigantic body, the huge massy face, seamed with the scars of disease, the brown coat, the black worsted stockings, the grey wig with the scorched foretop, the dirty hands, the nails bitten and pared to the quick. We see the eyes and mouth moving with convulsive twitches; we see the heavy form rolling; we hear it puffing; and then comes the "Why, sir!" and the "What then, sir?" and the "No, sir; " and the "You don't see your way through the question, sir!" What a singular destiny has been that of this remarkable man! To be regarded in his own age as a classic, and in ours as a companion! To receive from his contemporaries that full homage which men of genius have in general received only from posterity! To be more intimately known to posterity than other men are known to their contemporaries! That kind of fame which is commonly the most transient is, in his case, the most durable. The reputation of those writings, which he probably expected to be immortal, is every day fading; while those peculiarities of manner and that careless table-talk the memory of which, he probably thought, would die with him, are likely to be remembered as long as the English language is spoken in any quarter of the globe.

JOHN HAMPDEN. (DECEMBER 1831.)

Some Memorials of John Hampden, his Party, and his Times. By LORD NUGENT. 2 vols. 8vo. London: 1831.

WE have read this book with great pleasure, though not exactly with that kind of pleasure which we had expected. We had hoped that Lord Nugent would have been able to collect, from family papers and local traditions, much new and interesting information respecting the life and character of the renowned leader of the Long Parliament, the first of those great English commoners whose plain addition of Mister has, to our ears, a more majestic sound than the proudest of the feudal titles. In this hope we have been disappointed; but assuredly not from any want of zeal or diligence on the part of the noble biographer. Even at Hampden, there are, it seems, no important papers relating to the most illustrious proprietor of that ancient domain. The most valuable memorials of him which still exist, belong to the family of his friend, Sir John Eliot. Lord Eliot has furnished the portrait which is engraved for this work, together with some very interesting letters. The portrait is undoubtedly an original, and probably the only original now in existence. The intellectual forehead, the mild penetration of the eye, and the inflexible resolution expressed by the lines of the mouth, sufficiently guarantee the likeness. We shall probably make some extracts from the letters. They contain almost all the new information that Lord Nugent has been able to procure respecting the private pursuits of the great man whose memory he worships with an enthusiastic, but not extravagant, veneration.

The public life of Hampden is surrounded by no obscurity. His history, more particularly from the year 1640 to his death, is the history of England. These Memoirs must be considered as Memoirs of the history of England; and, as such, they well deserve to be attentively perused. They contain some curious facts which, to us at least, are new,

much spirited narrative, many judicious remarks, and much eloquent declamation.

We are not sure that even the want of information respecting the private character of Hampden is not in itself a circumstance as strikingly characteristic as any which the most minute chronicler, O'Meara, Mrs. Thrale, or Boswell himself, ever recorded concerning their heroes. The celebrated Puritan leader is an almost solitary instance of a great man who neither sought nor shunned greatness, who found glory only because glory lay in the plain path of duty. During more than forty years he was known to his country neighbours as a gentleman of cultivated mind, of high principles, of polished address, happy in his family, and active in the discharge of local duties; and to political men, as an honest, industrious, and sensible member of Parliament, not eager to display his talents, staunch to his party, and attentive to the interests of his constituents. A great and terrible crisis came. A direct attack was made by an arbitrary government on a sacred right of Englishmen, on a right which was the chief security for all their other rights. The nation looked round for a defender. Calmly and unostentatiously the plain Buckinghamshire Esquire placed himself at the head of his countrymen, and right before the face and across the path of tyranny. The times grew darker and more troubled. Public service, perilous, arduous, delicate, was required; and to every service the intellect and the courage of this wonderful man were found fully equal. He became a debater of the first order, a most dexterous manager of the House of Commons, a negotiator, a soldier. He governed a fierce and turbulent assembly, abounding in able men, as easily as he had governed his family. He showed himself as competent to direct a campaign as to conduct the business of the petty sessions. We can scarcely express the admiration which we feel for a mind so great, and, at the same time, so healthful and so well proportioned, so willingly contracting itself to the humblest duties, so easily expanding itself to the highest, so contented in repose, so powerful in action. Almost every part of this virtuous and blameless life which is not hidden from us in modest privacy is a precious and splendid portion of our national history. Had the private conduct of Hampden afforded the slightest pretence for censure, he would have been assailed by the same blind malevolence which, in defiance of the clearest proofs, still continues to call Sir John Eliot an assassin. Had there been