Putnam's Magazine: Original Papers on Literature, Science, Art, and National Interests, Volumen2 |
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Página 3
I believe there is no evidence what- ever that the Greek and Roman painters were acquainted with oil as a vehicle for color . Oil , as Ruskin truly says , alone comes near to Nature in its opaque lights and its transparent shadows ...
I believe there is no evidence what- ever that the Greek and Roman painters were acquainted with oil as a vehicle for color . Oil , as Ruskin truly says , alone comes near to Nature in its opaque lights and its transparent shadows ...
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The decorative painting of Pompeii has been so extensively copied , that its colors and its forms are now tolerably well ... Its chief characteristic is the employment of a broad , warm field of color - generally that which is now dis- ...
The decorative painting of Pompeii has been so extensively copied , that its colors and its forms are now tolerably well ... Its chief characteristic is the employment of a broad , warm field of color - generally that which is now dis- ...
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The picture must be simple , painted in few but harmonious colors , and especial- ly those which attract light . ... that the Venetian artists had each a favorite base , or ground - color , upon which he relied to give tone to his ...
The picture must be simple , painted in few but harmonious colors , and especial- ly those which attract light . ... that the Venetian artists had each a favorite base , or ground - color , upon which he relied to give tone to his ...
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But perhaps the finest specimen of color is the glorious picture of the Centaur Chiron teaching the young Achilles to play upon the lyre . The boy , naked and of perfect form , stands between the fore - legs of the Centaur , who is ...
But perhaps the finest specimen of color is the glorious picture of the Centaur Chiron teaching the young Achilles to play upon the lyre . The boy , naked and of perfect form , stands between the fore - legs of the Centaur , who is ...
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In the latter , we have serious , passionate effort , finding its way slowly , and sometimes by agoniz- ing energy , towards form and color , and the speech which grows from them : in the former , we feel only the easy play of a ...
In the latter , we have serious , passionate effort , finding its way slowly , and sometimes by agoniz- ing energy , towards form and color , and the speech which grows from them : in the former , we feel only the easy play of a ...
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