Nonlinear Editing: Storytelling, Aesthetics, and Craft
Taylor & Francis, 2002 - 523 páginas
The art of editing in a nonlinear mode cannot be gleaned from software application manuals. This book is designed to convey the artistic considerations and techniques that both new and experienced editors need to employ in editing digital stock. Readers learn the importance of timing, emotion, and art in assembling a cohesive project that tells a story with the appropriate flow and pace. Each chapter features interviews with professionals and exercises relevant to the subject matter under discussion.
Nonlinear Editing is chock full of provocative ideas, insights, resources, tools, and exercises that will inspire you to making better decisions in the edit bay and in your career. For editors, directors, producers, and screenwriters.
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Chapter 1 Gathering the Editors Tools
Chapter 2 Planning the Process
Chapter 3 Giving Respect Where Respect Is Due
Chapter 4 Gathering Around the Campfire
Chapter 5 Overcoming Story Problems
Chapter 6 Tripping on Transitions
Chapter 7 Color and Composition
Chapter 8 Compositing and the Editor
able action actor allow appear areas audience audio become beginning Bryce camera character choice choose client clip color common complete composite Continued course create creative deal direct director editing editor effects elements example experience feel field files film final format frame give going graphics idea important included issues It’s keep light look material meaning Media move nature notes offer once particular piece play position possible problems producer questions refer relationship require result scene screen seen sense sequence share shot simply sound story structure suggest tape tend things tracks understanding visual
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