The Business of Being an ArtistAllworth Press, 2000 - 339 páginas "The third edition of this classic artists' reference teaches emerging artists the techniques necessary to market and sell artwork, both on their own and through dealers. This new, thoroughly updated and expanded edition contains extensive new sections about today's issues: how to create and market art on a Web site; how artists have handled controversy and censorship; copyright and trademark protection on the Internet; and an expanded section on the new realities of fund-raising and funding sources ... Unlike other guides, this book addresses the artist as a whole, including an examination of the emotional and psychological issues specific to being an artist as well as the smartest strategies for "investing" in an art career. Detailed coverage is offered of exhibitions, contracts with dealers and print publishers, marketing and advertising outlets, grants and commissions, and much more. Successful artists also describe their own experiences, offering realistic examples of career development and expert advice for overcoming the pressures that arise when art becomes business. Art world insider Daniel Grant teaches emerging and established artists the essential information they need"--Publisher's description. |
Dentro del libro
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Página 56
... print in large quanti- ties , offering price breaks for each thousand . It is rare that an artist starts a career selling prints ; instead , the market for origi- nal pieces should be tested , with prints following as the number of ...
... print in large quanti- ties , offering price breaks for each thousand . It is rare that an artist starts a career selling prints ; instead , the market for origi- nal pieces should be tested , with prints following as the number of ...
Página 57
... prints , which refers to the number of prints in stock and not the entire edition . In such cases , the artist has sold L.L. Bean a stack of prints but remains free to print up more to sell . The percentage of the earnings from the sale ...
... prints , which refers to the number of prints in stock and not the entire edition . In such cases , the artist has sold L.L. Bean a stack of prints but remains free to print up more to sell . The percentage of the earnings from the sale ...
Página 58
... prints . In none of these instances did the artists ever see the finished works . Nonetheless , those prints were marketed at prices that would lead collectors to assume they were original works of art in some way . The tradition of ...
... prints . In none of these instances did the artists ever see the finished works . Nonetheless , those prints were marketed at prices that would lead collectors to assume they were original works of art in some way . The tradition of ...
Contenido
HOW TO GET AN EXHIBITION AND SELL ART | 1 |
Make Sure You Have Good Slides | 15 |
Pursuing a Career in the Sticks | 30 |
Derechos de autor | |
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Términos y frases comunes
according added advertising agencies American application art world artists artwork assistants Association awards become better building buyers career catalog changes collection collectors color commission cost course create critics dealers Department develop director don't exhibition feel fees Foundation funding gallery give grant hand ideas images individual instance Institute interest involved issues juried keep less living look major materials Museum never noted offer one's organizations painter painting percent period person photographs pieces potential prints problem published purchase question receive represent requires result sculpture sell slides sold someone studio style success teaching thing University usually Washington York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |