The Business of Being an Artist"The third edition of this classic artists' reference teaches emerging artists the techniques necessary to market and sell artwork, both on their own and through dealers. This new, thoroughly updated and expanded edition contains extensive new sections about today's issues: how to create and market art on a Web site; how artists have handled controversy and censorship; copyright and trademark protection on the Internet; and an expanded section on the new realities of fund-raising and funding sources ... Unlike other guides, this book addresses the artist as a whole, including an examination of the emotional and psychological issues specific to being an artist as well as the smartest strategies for "investing" in an art career. Detailed coverage is offered of exhibitions, contracts with dealers and print publishers, marketing and advertising outlets, grants and commissions, and much more. Successful artists also describe their own experiences, offering realistic examples of career development and expert advice for overcoming the pressures that arise when art becomes business. Art world insider Daniel Grant teaches emerging and established artists the essential information they need"--Publisher's description. |
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Página 44
Ideally , the numbers should correspond to the percentage owned and consigned by the dealers , which would indicate that the galleries worked as hard to sell pieces they did not own as for works they did . Common sense suggests that the ...
Ideally , the numbers should correspond to the percentage owned and consigned by the dealers , which would indicate that the galleries worked as hard to sell pieces they did not own as for works they did . Common sense suggests that the ...
Página 61
“ Facilities people ” at many companies have no idea of how to care for artwork and may place pieces where they will fade from exposure to direct light or where employees smoke or there is inadequate ventilation .
“ Facilities people ” at many companies have no idea of how to care for artwork and may place pieces where they will fade from exposure to direct light or where employees smoke or there is inadequate ventilation .
Página 268
On occasion , the GSA buys a finished work but , mostly , the agency prefers to commission new pieces for which the artist may evaluate the site with the building architect , creating something that forms a visually aesthetic whole .
On occasion , the GSA buys a finished work but , mostly , the agency prefers to commission new pieces for which the artist may evaluate the site with the building architect , creating something that forms a visually aesthetic whole .
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LibraryThing Review
Crítica de los usuarios - MountHolyoke - LibraryThingIf you have heard the old refrain that artists make no money and you're beginning to fear that this may become true for you too, then this book is for you. Daniel Grant has created a comprehensive ... Leer comentario completo
Contenido
HOW TO GET AN EXHIBITION AND SELL ART | 1 |
Rounding up Visitors | 7 |
Make Sure You Have Good Slides | 15 |
Derechos de autor | |
Otras 31 secciones no mostradas
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Términos y frases comunes
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Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |