The Business of Being an ArtistAllworth Press, 2000 - 339 páginas "The third edition of this classic artists' reference teaches emerging artists the techniques necessary to market and sell artwork, both on their own and through dealers. This new, thoroughly updated and expanded edition contains extensive new sections about today's issues: how to create and market art on a Web site; how artists have handled controversy and censorship; copyright and trademark protection on the Internet; and an expanded section on the new realities of fund-raising and funding sources ... Unlike other guides, this book addresses the artist as a whole, including an examination of the emotional and psychological issues specific to being an artist as well as the smartest strategies for "investing" in an art career. Detailed coverage is offered of exhibitions, contracts with dealers and print publishers, marketing and advertising outlets, grants and commissions, and much more. Successful artists also describe their own experiences, offering realistic examples of career development and expert advice for overcoming the pressures that arise when art becomes business. Art world insider Daniel Grant teaches emerging and established artists the essential information they need"--Publisher's description. |
Dentro del libro
Resultados 1-3 de 51
Página 16
... Photographs , especially those in an album , are more apt to be looked at longer , and the album may be left open on the gallery owner's desk , enabling that per- son to take a second look . On an individual basis , photographs are less ...
... Photographs , especially those in an album , are more apt to be looked at longer , and the album may be left open on the gallery owner's desk , enabling that per- son to take a second look . On an individual basis , photographs are less ...
Página 17
... photograph , the artist should write on it his or her name , the title of the artwork , its medium and size . In general , 15–20 slides or photographs are the upper limit for dealers , corporations , or schools unless they specifically ...
... photograph , the artist should write on it his or her name , the title of the artwork , its medium and size . In general , 15–20 slides or photographs are the upper limit for dealers , corporations , or schools unless they specifically ...
Página 108
... photographs of the artists themselves . Associated American Artists gallery in New York , unsure which work was ... photograph of Rufino Tamayo at work in the studio to announce an exhibition of his art . In another example , for years ...
... photographs of the artists themselves . Associated American Artists gallery in New York , unsure which work was ... photograph of Rufino Tamayo at work in the studio to announce an exhibition of his art . In another example , for years ...
Contenido
HOW TO GET AN EXHIBITION AND SELL ART | 1 |
Make Sure You Have Good Slides | 15 |
Pursuing a Career in the Sticks | 30 |
Derechos de autor | |
Otras 23 secciones no mostradas
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Términos y frases comunes
according added advertising agencies American application art world artists artwork assistants Association awards become better building buyers career catalog changes collection collectors color commission cost course create critics dealers Department develop director don't exhibition feel fees Foundation funding gallery give grant hand ideas images individual instance Institute interest involved issues juried keep less living look major materials Museum never noted offer one's organizations painter painting percent period person photographs pieces potential prints problem published purchase question receive represent requires result sculpture sell slides sold someone studio style success teaching thing University usually Washington York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |