The Business of Being an Artist"The third edition of this classic artists' reference teaches emerging artists the techniques necessary to market and sell artwork, both on their own and through dealers. This new, thoroughly updated and expanded edition contains extensive new sections about today's issues: how to create and market art on a Web site; how artists have handled controversy and censorship; copyright and trademark protection on the Internet; and an expanded section on the new realities of fund-raising and funding sources ... Unlike other guides, this book addresses the artist as a whole, including an examination of the emotional and psychological issues specific to being an artist as well as the smartest strategies for "investing" in an art career. Detailed coverage is offered of exhibitions, contracts with dealers and print publishers, marketing and advertising outlets, grants and commissions, and much more. Successful artists also describe their own experiences, offering realistic examples of career development and expert advice for overcoming the pressures that arise when art becomes business. Art world insider Daniel Grant teaches emerging and established artists the essential information they need"--Publisher's description. |
Dentro del libro
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Página 120
“ I've written about my ideas for a long time , and I think I do it pretty well . I think I can do it better than anyone else . " ” While a relatively new phenomenon in the fine arts , self - published catalogs have been in existence ...
“ I've written about my ideas for a long time , and I think I do it pretty well . I think I can do it better than anyone else . " ” While a relatively new phenomenon in the fine arts , self - published catalogs have been in existence ...
Página 168
What I really want is an artist whose own talents challenge me , whose ideas are fresh and interesting , not derivative . " Haas's expectations can be a very tall order : An assistant who can ultimately work in his style yet brings new ...
What I really want is an artist whose own talents challenge me , whose ideas are fresh and interesting , not derivative . " Haas's expectations can be a very tall order : An assistant who can ultimately work in his style yet brings new ...
Página 180
In the past , there used to be a lively tradition of artists meeting in a few central locations ( at a studio or tavern , perhaps ) and hashing out ideas and comparing notes . They were able both to create art and live in the world more ...
In the past , there used to be a lively tradition of artists meeting in a few central locations ( at a studio or tavern , perhaps ) and hashing out ideas and comparing notes . They were able both to create art and live in the world more ...
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LibraryThing Review
Crítica de los usuarios - MountHolyoke - LibraryThingIf you have heard the old refrain that artists make no money and you're beginning to fear that this may become true for you too, then this book is for you. Daniel Grant has created a comprehensive ... Leer comentario completo
Contenido
HOW TO GET AN EXHIBITION AND SELL ART | 1 |
Rounding up Visitors | 7 |
Make Sure You Have Good Slides | 15 |
Derechos de autor | |
Otras 31 secciones no mostradas
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Términos y frases comunes
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Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |