The Business of Being an ArtistAllworth Press, 2000 - 339 páginas "The third edition of this classic artists' reference teaches emerging artists the techniques necessary to market and sell artwork, both on their own and through dealers. This new, thoroughly updated and expanded edition contains extensive new sections about today's issues: how to create and market art on a Web site; how artists have handled controversy and censorship; copyright and trademark protection on the Internet; and an expanded section on the new realities of fund-raising and funding sources ... Unlike other guides, this book addresses the artist as a whole, including an examination of the emotional and psychological issues specific to being an artist as well as the smartest strategies for "investing" in an art career. Detailed coverage is offered of exhibitions, contracts with dealers and print publishers, marketing and advertising outlets, grants and commissions, and much more. Successful artists also describe their own experiences, offering realistic examples of career development and expert advice for overcoming the pressures that arise when art becomes business. Art world insider Daniel Grant teaches emerging and established artists the essential information they need"--Publisher's description. |
Dentro del libro
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Página 39
... dealers were as trustworthy as so many artists are trusting of them , there would not be a growing body of art law , nor would there be a growing number of lawyers specializing in artist - dealer conflicts . As much as artists want to ...
... dealers were as trustworthy as so many artists are trusting of them , there would not be a growing body of art law , nor would there be a growing number of lawyers specializing in artist - dealer conflicts . As much as artists want to ...
Página 43
... dealers is important , but it is equally valuable for artists to develop strong personal and professional relationships with their dealers . The dealer should be aware of which ideas the artist is pursuing , any changes in the work and ...
... dealers is important , but it is equally valuable for artists to develop strong personal and professional relationships with their dealers . The dealer should be aware of which ideas the artist is pursuing , any changes in the work and ...
Página 45
... dealers is the number of telephone calls from their galleries . " Artists want to hear regu- larly from their dealers , " Curt Marcus , a New York art dealer , said . " It's important that they know they are being thought about . " Both ...
... dealers is the number of telephone calls from their galleries . " Artists want to hear regu- larly from their dealers , " Curt Marcus , a New York art dealer , said . " It's important that they know they are being thought about . " Both ...
Contenido
HOW TO GET AN EXHIBITION AND SELL ART | 1 |
Make Sure You Have Good Slides | 15 |
Pursuing a Career in the Sticks | 30 |
Derechos de autor | |
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Términos y frases comunes
according added advertising agencies American application art world artists artwork assistants Association awards become better building buyers career catalog changes collection collectors color commission cost course create critics dealers Department develop director don't exhibition feel fees Foundation funding gallery give grant hand ideas images individual instance Institute interest involved issues juried keep less living look major materials Museum never noted offer one's organizations painter painting percent period person photographs pieces potential prints problem published purchase question receive represent requires result sculpture sell slides sold someone studio style success teaching thing University usually Washington York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |