The Business of Being an ArtistAllworth Press, 2000 - 339 páginas "The third edition of this classic artists' reference teaches emerging artists the techniques necessary to market and sell artwork, both on their own and through dealers. This new, thoroughly updated and expanded edition contains extensive new sections about today's issues: how to create and market art on a Web site; how artists have handled controversy and censorship; copyright and trademark protection on the Internet; and an expanded section on the new realities of fund-raising and funding sources ... Unlike other guides, this book addresses the artist as a whole, including an examination of the emotional and psychological issues specific to being an artist as well as the smartest strategies for "investing" in an art career. Detailed coverage is offered of exhibitions, contracts with dealers and print publishers, marketing and advertising outlets, grants and commissions, and much more. Successful artists also describe their own experiences, offering realistic examples of career development and expert advice for overcoming the pressures that arise when art becomes business. Art world insider Daniel Grant teaches emerging and established artists the essential information they need"--Publisher's description. |
Dentro del libro
Resultados 1-3 de 96
Página 8
... collectors and the development of a personal relationship . Art is a long - term career , and the relationships with buyers should be maintained on an ongoing basis , meeting collectors at a museum , inviting them to one's studio or out ...
... collectors and the development of a personal relationship . Art is a long - term career , and the relationships with buyers should be maintained on an ongoing basis , meeting collectors at a museum , inviting them to one's studio or out ...
Página 11
... collector's financial resources and whether the artist likes the buyer or not . Gallery owners talk about the artists they represent with collectors , and artists must be prepared to talk about themselves and their work , offering ...
... collector's financial resources and whether the artist likes the buyer or not . Gallery owners talk about the artists they represent with collectors , and artists must be prepared to talk about themselves and their work , offering ...
Página 97
... collectors I deal with . Our collectors are cer- tainly concerned with what critics and museum curators think , but not at all with what prizes or awards the artist may have won . " Other art dealers take a different view . " Which ...
... collectors I deal with . Our collectors are cer- tainly concerned with what critics and museum curators think , but not at all with what prizes or awards the artist may have won . " Other art dealers take a different view . " Which ...
Contenido
HOW TO GET AN EXHIBITION AND SELL ART | 1 |
Make Sure You Have Good Slides | 15 |
Pursuing a Career in the Sticks | 30 |
Derechos de autor | |
Otras 23 secciones no mostradas
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Términos y frases comunes
according added advertising agencies American application art world artists artwork assistants Association awards become better building buyers career catalog changes collection collectors color commission cost course create critics dealers Department develop director don't exhibition feel fees Foundation funding gallery give grant hand ideas images individual instance Institute interest involved issues juried keep less living look major materials Museum never noted offer one's organizations painter painting percent period person photographs pieces potential prints problem published purchase question receive represent requires result sculpture sell slides sold someone studio style success teaching thing University usually Washington York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |