The Discourses of Sir Joshua Reynolds: To which are Added His Letters to 'The Idler'H. Frowde, Oxford University Press, 1907 - 260 páginas |
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Página xxi
... elegance , those arts by which manufactures are embellished , and science is refined , to found an Academy was reserved for Your Majesty . Had such patronage been without effect , there had been reason to believe that Nature had , by ...
... elegance , those arts by which manufactures are embellished , and science is refined , to found an Academy was reserved for Your Majesty . Had such patronage been without effect , there had been reason to believe that Nature had , by ...
Página 1
... elegance and refinement the last effect of opulence and power . An Institution like this has often been recom- mended upon considerations merely mercantile ; but an Academy , founded upon such principles , can never effect even its own ...
... elegance and refinement the last effect of opulence and power . An Institution like this has often been recom- mended upon considerations merely mercantile ; but an Academy , founded upon such principles , can never effect even its own ...
Página 2
... elegance , thinks every art worthy of his notice , that tends to soften and humanize the mind . After so much has been done by his Majesty , it will be wholly our fault , if our progress is not in some degree correspondent to the wisdom ...
... elegance , thinks every art worthy of his notice , that tends to soften and humanize the mind . After so much has been done by his Majesty , it will be wholly our fault , if our progress is not in some degree correspondent to the wisdom ...
Página 36
... elegance . This exertion of mind , which is the only circum- stance that truly ennobles our art , makes the great distinction between the Roman and Venetian schools . I have formerly observed that perfect form is produced by leaving out ...
... elegance . This exertion of mind , which is the only circum- stance that truly ennobles our art , makes the great distinction between the Roman and Venetian schools . I have formerly observed that perfect form is produced by leaving out ...
Página 43
... elegance is their principal object , as they seem more willing to dazzle than to affect , it can be no injury to them to suppose that their practice is useful only to its proper end . But what may heighten the elegant may degrade the ...
... elegance is their principal object , as they seem more willing to dazzle than to affect , it can be no injury to them to suppose that their practice is useful only to its proper end . But what may heighten the elegant may degrade the ...
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acquired admiration advantage ancient appear artist attempt attention Caracci Carlo Maratti character Claude Lorraine colouring composition considered contrary Correggio criticism December 11 defects degree dignity DISCOURSE disposition distinguished drapery drawing dress Edmund Blunden effect elegance endeavour equally Essays excellence expression figure finished Gainsborough genius give grace grandeur habit higher highest imagination imitation instance invention judgement justly kind labour light and shadow manner Masaccio masters means method Michel Angelo mind minute modern nature necessary never object observed opinion ornaments painter painting particular passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps picture Pietro Perugino poet poetry portraits possessed Poussin practice prejudices principles proceed produced Raffaelle reason recommend Rembrandt Reynolds REYNOLDS'S Royal Academy Rubens rules sculpture sense Sergius Paulus simplicity spectator student style sublime suppose taste things thought tion Titian true truth variety Venetian Venetian school vulgar whole wish