The Discourses of Sir Joshua Reynolds: To which are Added His Letters to 'The Idler'H. Frowde, Oxford University Press, 1907 - 260 páginas |
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Página 80
... Rembrandt . If he is incorrect in the proportions of his figures , Correggio was like- wise incorrect . If his colours are not blended and united , Rubens was equally crude . In short , there is no defect that may not be excused , if it ...
... Rembrandt . If he is incorrect in the proportions of his figures , Correggio was like- wise incorrect . If his colours are not blended and united , Rubens was equally crude . In short , there is no defect that may not be excused , if it ...
Página 82
... Rembrandt , by Bramer , Eeckhout , and Flink . All these , to whom may be added a much longer list of painters , whose works among the ignorant pass for those of their masters , are justly to be censured for barrenness and servility ...
... Rembrandt , by Bramer , Eeckhout , and Flink . All these , to whom may be added a much longer list of painters , whose works among the ignorant pass for those of their masters , are justly to be censured for barrenness and servility ...
Página 99
... Rembrandt and other Dutch painters , who introduced into their historical pictures exact repre- sentations of individual objects with all their imperfec- tions , we say , -though it is not in a good taste , yet it is nature . This ...
... Rembrandt and other Dutch painters , who introduced into their historical pictures exact repre- sentations of individual objects with all their imperfec- tions , we say , -though it is not in a good taste , yet it is nature . This ...
Página 122
... Rembrandt's manner is absolute unity ; he often has but one group , and exhibits little more than one spot of light in the midst of a large quantity of shadow if he has a second mass , that second bears no proportion to the principal ...
... Rembrandt's manner is absolute unity ; he often has but one group , and exhibits little more than one spot of light in the midst of a large quantity of shadow if he has a second mass , that second bears no proportion to the principal ...
Página 135
... Rembrandt . This effect is produced by melting and losing the shadows in a ground still darker than those shadows ; whereas that relief is produced by opposing and separating the ground from the figure , either by light , or shadow , or ...
... Rembrandt . This effect is produced by melting and losing the shadows in a ground still darker than those shadows ; whereas that relief is produced by opposing and separating the ground from the figure , either by light , or shadow , or ...
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acquired admiration advantage ancient appear artist attempt attention Caracci Carlo Maratti character Claude Lorraine colouring composition considered contrary Correggio criticism December 11 defects degree dignity DISCOURSE disposition distinguished drapery drawing dress Edmund Blunden effect elegance endeavour equally Essays excellence expression figure finished Gainsborough genius give grace grandeur habit higher highest imagination imitation instance invention judgement justly kind labour light and shadow manner Masaccio masters means method Michel Angelo mind minute modern nature necessary never object observed opinion ornaments painter painting particular passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps picture Pietro Perugino poet poetry portraits possessed Poussin practice prejudices principles proceed produced Raffaelle reason recommend Rembrandt Reynolds REYNOLDS'S Royal Academy Rubens rules sculpture sense Sergius Paulus simplicity spectator student style sublime suppose taste things thought tion Titian true truth variety Venetian Venetian school vulgar whole wish