John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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... write this book. It is dedicated to my teachers, Carolyn Porter and Michael Rogin, who taught me how to learn and how to teach, and convinced me that this work matters. Finishing the book in Mike's absence has reminded me that speaking ...
... write this book. It is dedicated to my teachers, Carolyn Porter and Michael Rogin, who taught me how to learn and how to teach, and convinced me that this work matters. Finishing the book in Mike's absence has reminded me that speaking ...
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... write, and how to find meaning in the world around me. Our lifelong conversation gives my work its very shape. If the love of friends and family made it possible to undertake this project, my son and husband have made it possible to ...
... write, and how to find meaning in the world around me. Our lifelong conversation gives my work its very shape. If the love of friends and family made it possible to undertake this project, my son and husband have made it possible to ...
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... writes, ''was how best to establish the supremacy of the Government, and how to vindicate its authority.''16 Brinton's own war work was part of a larger effort to strengthen federal power by way of system-building that would ensure ...
... writes, ''was how best to establish the supremacy of the Government, and how to vindicate its authority.''16 Brinton's own war work was part of a larger effort to strengthen federal power by way of system-building that would ensure ...
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... write this introduction in my office at Oregon State University's Center for the Humanities, a photography exhibit titled ''Children of the Gulf War'' is on display in the common room downstairs. The photographs show Iraqi children ...
... write this introduction in my office at Oregon State University's Center for the Humanities, a photography exhibit titled ''Children of the Gulf War'' is on display in the common room downstairs. The photographs show Iraqi children ...
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Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York