John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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Página 10
... spectacle of mass death on the battlefield promised a radical reordering that would pave the way for equality and harmony. At the site of execution, however, where the government used the bodies of outliers—criminals, insurgents ...
... spectacle of mass death on the battlefield promised a radical reordering that would pave the way for equality and harmony. At the site of execution, however, where the government used the bodies of outliers—criminals, insurgents ...
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... spectacle, troops were often paraded past the dead soldier and forced to look closely at his corpse after the execution was over. Yet these spectacular executions ran the risk of jeopardizing the soldier's devotion to the army and, by ...
... spectacle, troops were often paraded past the dead soldier and forced to look closely at his corpse after the execution was over. Yet these spectacular executions ran the risk of jeopardizing the soldier's devotion to the army and, by ...
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... spectacle of mass death. Viewed in this light, the war dead not only redressed the sin of slavery but also confirmed America's special status as a nation ordained to suffer intensely and, in consequence, lead the world into a glorious ...
... spectacle of mass death. Viewed in this light, the war dead not only redressed the sin of slavery but also confirmed America's special status as a nation ordained to suffer intensely and, in consequence, lead the world into a glorious ...
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... spectacle of execution would sever public identification with Brown and put an end to the inflammatory potential of his example. This chapter reconsiders the legend of Brown, canonized by ''John Brown's Body,'' in light of the sweeping ...
... spectacle of execution would sever public identification with Brown and put an end to the inflammatory potential of his example. This chapter reconsiders the legend of Brown, canonized by ''John Brown's Body,'' in light of the sweeping ...
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Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York