John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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Página 4
... produced commemorative objects that served as analogs for the dead body. These artifacts objectified the mourner's attachment to the dead. Circulating among friends and relatives, they also established mourning as an opportunity to ...
... produced commemorative objects that served as analogs for the dead body. These artifacts objectified the mourner's attachment to the dead. Circulating among friends and relatives, they also established mourning as an opportunity to ...
Página 8
... produce a detailed context for every bone fragment or bullet he could find and in doing so transform the generic nature of wartime injury into a field for differentiation and classification that resembled other systems for ordering ...
... produce a detailed context for every bone fragment or bullet he could find and in doing so transform the generic nature of wartime injury into a field for differentiation and classification that resembled other systems for ordering ...
Página 9
... produced from it, remained closely associated with a given individual. Dissection, by contrast, was a form of racial violence that represented the power of the anatomist to divorce body and identity, thus rendering the corpse useful to ...
... produced from it, remained closely associated with a given individual. Dissection, by contrast, was a form of racial violence that represented the power of the anatomist to divorce body and identity, thus rendering the corpse useful to ...
Página 15
... produce a spirited community that found expression in ''three rousing cheers for the Union.'' And yet, even as the song translated death into martial enthusiasm, reminding soldiers that they died on behalf of a greater cause, it did not ...
... produce a spirited community that found expression in ''three rousing cheers for the Union.'' And yet, even as the song translated death into martial enthusiasm, reminding soldiers that they died on behalf of a greater cause, it did not ...
Página 16
... produces political community substantiated a vision of the nation rejuvenated by the deaths of soldiers. Brown's martyrdom, an instance of the radical consequences of compassion, brings to culmination a tradition of abolitionist ...
... produces political community substantiated a vision of the nation rejuvenated by the deaths of soldiers. Brown's martyrdom, an instance of the radical consequences of compassion, brings to culmination a tradition of abolitionist ...
Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York