John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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Página 3
... mourners beautified the corpse and crafted surrogates for it, tokens that might fortify and expand the bonds of community. The corpses of marginal people, by contrast, were frequently dismembered and denied the privilege of a proper ...
... mourners beautified the corpse and crafted surrogates for it, tokens that might fortify and expand the bonds of community. The corpses of marginal people, by contrast, were frequently dismembered and denied the privilege of a proper ...
Página 4
... mourners beautified and domesticated the dead. By washing, grooming, and posing the corpse, mourners made it look more lifelike and familiar. Taking photographs, painting portraits, clipping a piece of fabric or hair, they produced ...
... mourners beautified and domesticated the dead. By washing, grooming, and posing the corpse, mourners made it look more lifelike and familiar. Taking photographs, painting portraits, clipping a piece of fabric or hair, they produced ...
Página 5
... mourners used corpses to help them materialize the intimacy between the living and the dead, reformers applied the precepts of death culture to the problem of inequality. Antislavery writers, for example, used scenes of loss and ...
... mourners used corpses to help them materialize the intimacy between the living and the dead, reformers applied the precepts of death culture to the problem of inequality. Antislavery writers, for example, used scenes of loss and ...
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Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York