John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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... Battle of Antietam'' 109 ''A Contrast: Federal Buried, Confederate Unburied'' 110 Postmortem, unidentified young girl 111 Postmortem portrait, woman holding baby 112 ''Field Where General Reynolds Fell'' 120 ''The Home of a Rebel ...
... Battle of Antietam'' 109 ''A Contrast: Federal Buried, Confederate Unburied'' 110 Postmortem, unidentified young girl 111 Postmortem portrait, woman holding baby 112 ''Field Where General Reynolds Fell'' 120 ''The Home of a Rebel ...
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... battle-ardors,'' and concluded, ''We have the elements to make the most martial nation in the world.''1 In the years following the Second World War, as the United States built its massive nuclear arsenal, Weiss's prophecy was fully ...
... battle-ardors,'' and concluded, ''We have the elements to make the most martial nation in the world.''1 In the years following the Second World War, as the United States built its massive nuclear arsenal, Weiss's prophecy was fully ...
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... Battle Hymn of the Republic,'' which continues to fortify the American public in times of sorrow. This book aims to reverse the song's trajectory by returning to the material contexts that gave John Brown's corpse and other dead bodies ...
... Battle Hymn of the Republic,'' which continues to fortify the American public in times of sorrow. This book aims to reverse the song's trajectory by returning to the material contexts that gave John Brown's corpse and other dead bodies ...
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... battle, all soldiers were subject to the threat of state-sponsored violence typically directed at criminals. Ironically, the potentially alienating, even radicalizing, nature of this experience required the expression of a severe and ...
... battle, all soldiers were subject to the threat of state-sponsored violence typically directed at criminals. Ironically, the potentially alienating, even radicalizing, nature of this experience required the expression of a severe and ...
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Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York