John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
Dentro del libro
Resultados 1-5 de 27
Página 1
... abstraction—specifically the opposition between good and evil—to obscure, and enable, the exercise of state power, Wilson sought to give an ''objective account of the expansion of the United States'' by way of the largely idealistic ...
... abstraction—specifically the opposition between good and evil—to obscure, and enable, the exercise of state power, Wilson sought to give an ''objective account of the expansion of the United States'' by way of the largely idealistic ...
Página 6
... abstraction over objectification, these descriptions abandon an antebellum investment in commemorative objects. Like the song ''John Brown's Body,'' Specimen Days takes the corpse's gradual disappearance to best describe the way that ...
... abstraction over objectification, these descriptions abandon an antebellum investment in commemorative objects. Like the song ''John Brown's Body,'' Specimen Days takes the corpse's gradual disappearance to best describe the way that ...
Página 12
... abstraction by reconsidering the process of idealization in light of some of war's particulars. The mechanics of war—whether they pertain to bodies, policies, or poetry—are ever changing. They provide the point of entry for adjudicating ...
... abstraction by reconsidering the process of idealization in light of some of war's particulars. The mechanics of war—whether they pertain to bodies, policies, or poetry—are ever changing. They provide the point of entry for adjudicating ...
Página 15
... abstraction of bodily suffering that allows for the amplification of the body's social meaning.3 Keeping the rotting corpse firmly in view, the song speaks to the problem, at once psychological and political, posed by war: how can ...
... abstraction of bodily suffering that allows for the amplification of the body's social meaning.3 Keeping the rotting corpse firmly in view, the song speaks to the problem, at once psychological and political, posed by war: how can ...
Página 17
... abstraction, and the impotence of the state to halt this process. Indeed, the government failed to discipline the radical sympathies of Northern abolitionists or the insurrectionary aspirations of secessionists; providing a rallying ...
... abstraction, and the impotence of the state to halt this process. Indeed, the government failed to discipline the radical sympathies of Northern abolitionists or the insurrectionary aspirations of secessionists; providing a rallying ...
Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York