John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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Página 11
... abolitionist discourse, the scene of corporal punishment, in which slaveholders wielded unrestrained violence over the bodies of slaves, represented the excesses of slavery. Abolitionists participated in a broader critique of corporal ...
... abolitionist discourse, the scene of corporal punishment, in which slaveholders wielded unrestrained violence over the bodies of slaves, represented the excesses of slavery. Abolitionists participated in a broader critique of corporal ...
Página 16
... abolitionist past but rather its translation: in its emphasis on physical suffering as the basis of political community, the song remains faithful to the principles, if not the purposes, that structured Brown's abolitionism and led him ...
... abolitionist past but rather its translation: in its emphasis on physical suffering as the basis of political community, the song remains faithful to the principles, if not the purposes, that structured Brown's abolitionism and led him ...
Página 17
... Abolitionists who supported Brown took their cues from Brown himself: describing the raid on Harpers Ferry as an example of sympathy put into practice, they viewed the violence initiated and suffered by Brown as a model for further ...
... Abolitionists who supported Brown took their cues from Brown himself: describing the raid on Harpers Ferry as an example of sympathy put into practice, they viewed the violence initiated and suffered by Brown as a model for further ...
Página 18
... abolitionist sympathy that dramatizes slave suffering in an effort to mobilize readers. Putting sympathetic epistemology into practice, Brown demonstrates his own capacity to feel the pain of others and to act on their behalf.9 ...
... abolitionist sympathy that dramatizes slave suffering in an effort to mobilize readers. Putting sympathetic epistemology into practice, Brown demonstrates his own capacity to feel the pain of others and to act on their behalf.9 ...
Página 19
... abolitionist fiction, Stowe maintains that narrated pain, transmitted through the vulnerable body of the sympathetic listener or reader, will produce a compassionate community.11 Such extraordinary confidence in the power of narration ...
... abolitionist fiction, Stowe maintains that narrated pain, transmitted through the vulnerable body of the sympathetic listener or reader, will produce a compassionate community.11 Such extraordinary confidence in the power of narration ...
Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York