John Brown's Body: Slavery, Violence, and the Culture of WarUNC Press Books, 2015 M12 1 - 240 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
Dentro del libro
Resultados 1-5 de 90
Página
... Civil War, 1861–1865—Social aspects. 2. United States—History—Civil War, 1861–1865—African Americans. 3. United States—History—Civil War, 1861–1865—Literature and the war. 4. Body, Human–Social aspects—United States—History. 5. Body ...
... Civil War, 1861–1865—Social aspects. 2. United States—History—Civil War, 1861–1865—African Americans. 3. United States—History—Civil War, 1861–1865—Literature and the war. 4. Body, Human–Social aspects—United States—History. 5. Body ...
Página 1
... Civil War the United States would be ''the most dangerous country on the face of the earth.'' He explained that ''it will see its own ideas more clearly than ever before, and long to propagate them with its battle-ardors,'' and ...
... Civil War the United States would be ''the most dangerous country on the face of the earth.'' He explained that ''it will see its own ideas more clearly than ever before, and long to propagate them with its battle-ardors,'' and ...
Página 2
... Civil War artists and politicians cultivated a potent figure for the process through which death creates life. At times, however, the corpse—contorted, dismembered, unrecognizable—could not be idealized; instead, the dead revealed that ...
... Civil War artists and politicians cultivated a potent figure for the process through which death creates life. At times, however, the corpse—contorted, dismembered, unrecognizable—could not be idealized; instead, the dead revealed that ...
Página 3
... Civil War dead, in which violence appears neither transcendent nor foreordained, I study the bodies of martyred soldiers in relation to antebellum precedent. I focus on three discursive contexts: sentiment, science, and punishment. Each ...
... Civil War dead, in which violence appears neither transcendent nor foreordained, I study the bodies of martyred soldiers in relation to antebellum precedent. I focus on three discursive contexts: sentiment, science, and punishment. Each ...
Página 5
... Civil War, however, it was impossible to honor the dead in customary ways. Dead soldiers were rarely transported home for burial. Instead, they were buried in haste, if at all. Often their corpses went unidentified. Northerners found ...
... Civil War, however, it was impossible to honor the dead in customary ways. Dead soldiers were rarely transported home for burial. Instead, they were buried in haste, if at all. Often their corpses went unidentified. Northerners found ...
Contenido
1 | |
14 | |
Rethinking Racial Science | 40 |
Death and Regeneration in Civil War Poetry | 71 |
4 Photographing the War Dead | 103 |
5 After Emancipation | 132 |
Glory | 165 |
Notes | 177 |
Index | 213 |
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist abstraction African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead Benito Cereno black soldiers blood body’s Booth’s Brown’s execution Brown’s raid burial buried Civil civilians collective commemorative Confederate context Copeland corpse culture dead body dead soldiers describes dissection Drum-Taps effort Emmett Till enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg God’s Gray Gray’s Harpers Harpers Ferry History identity images imagined insurrection insurrectionary Jefferson’s John Brown John Brown’s Body Johnson’s Julia Ward Library of America Lincoln Lydia Maria Child mass Melville Melville’s military executions mother mourners mourning narration narrative Nat Turner nineteenth-century Northern pain poems poetry political portray postmortem photographs produce punishment racial representations scaffold scene sentimental slavery slaves song Southern Specimen Days spectacle spectator speech suffering sympathy Till’s tion Tom’s transformation Union army University Press viewer violence Virginia Walker war’s wartime Whitman Wise wounded writes York