Stephen CraneStephen Crane provides a general overview of all of Stephen Crane's major works, and many of his minor ones. It seeks to understand the many literary genres in which Crane wrote: newspaper journalism, novels, poetry, sketch and short story. After a brief biographical introduction, the chapters are organised in a chronological fashion and trace Crane's development as a writer from the early newspaper contributions to Maggie, his first novel, and The Black Riders, his first collection of verse. Subsequent chapters consider the work that arguably shaped Crane's reputation - The Third Violet and The Red Badge of Courage and his short stories. The Red Badge of Courage was recognised by many as the finest war novel in English, and Crane subsequently devoted much effort to writing more about the war. Another chapter treats his war correspondence, and the conclusion returns to the subject of war to examine how wars have helped to shape Crane's popular and critical reception. |
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Página 34
It seems impossible for the little man to battle the mountains successfully , so impossible that the situation is laughable . When the speaker learns that the little man's grandfathers had successfully battled the mountains , however ...
It seems impossible for the little man to battle the mountains successfully , so impossible that the situation is laughable . When the speaker learns that the little man's grandfathers had successfully battled the mountains , however ...
Página 65
Their diction and their rhetoric seem borrowed from the cheap print culture . ... As the Easterner observes , he seems to have been ' reading dime - novels , and he thinks he's right out in the middle of it - the shootin ' and stabbin ...
Their diction and their rhetoric seem borrowed from the cheap print culture . ... As the Easterner observes , he seems to have been ' reading dime - novels , and he thinks he's right out in the middle of it - the shootin ' and stabbin ...
Página 68
The narrator reaches such a level of familiarity with the conditions inside the lifeboat that it seems as if he were in it : ' By the very last star of truth , it is easier to steal eggs from under a hen than it was to change seats in ...
The narrator reaches such a level of familiarity with the conditions inside the lifeboat that it seems as if he were in it : ' By the very last star of truth , it is easier to steal eggs from under a hen than it was to change seats in ...
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American literature appeared Appleton artist audiences Badge of Courage battle become behaviour Billie Billie's Black Riders Blue Hotel Brian Winston British camera obscura chapter cinema colour contemporary Cora Crane moves Crane observes critical depicts dime novels dispatches Dr Trescott emblems Émile Zola entropy environment experience eyes fiction flag Fragment of Velestino George's Mother girl Grace Graeco-Turkish Greece Henry Binder Henry's Hoffman Hollanden hunting imagination Jimmie Joseph Conrad killing legends literary literary realism little man's Little Regiment Maggie Maggie's Monster mosque motion pictures moving images narrative narrator newspaper Open Boat painted panoramas Pete poems point of view popular culture Port Jervis published Quick readers realism Red Badge remain reputation scene Seduced and abandoned seems sentence soldier Stephen Crane streets suggests Sullivan County sketches Swede tenement Third Violet Tom Quick Velestino viii visual W viii Whilomville Whitman's wild hogs women words wounded writing