Stephen CraneStephen Crane provides a general overview of all of Stephen Crane's major works, and many of his minor ones. It seeks to understand the many literary genres in which Crane wrote: newspaper journalism, novels, poetry, sketch and short story. After a brief biographical introduction, the chapters are organised in a chronological fashion and trace Crane's development as a writer from the early newspaper contributions to Maggie, his first novel, and The Black Riders, his first collection of verse. Subsequent chapters consider the work that arguably shaped Crane's reputation - The Third Violet and The Red Badge of Courage and his short stories. The Red Badge of Courage was recognised by many as the finest war novel in English, and Crane subsequently devoted much effort to writing more about the war. Another chapter treats his war correspondence, and the conclusion returns to the subject of war to examine how wars have helped to shape Crane's popular and critical reception. |
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Published in newspapers across the nation , Red Badge firmly established Crane's reputation . Appleton , a prominent New York publisher , expressed interest in the work and eventually accepted it . 1895 was a watershed year for Crane .
Published in newspapers across the nation , Red Badge firmly established Crane's reputation . Appleton , a prominent New York publisher , expressed interest in the work and eventually accepted it . 1895 was a watershed year for Crane .
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His war dispatches , many written close to the fighting , furthered his reputation as a keen observer of combat . Switching from Pulitzer's World to Hearst's New York Journal , Crane next reported the Puerto Rican campaign and then ...
His war dispatches , many written close to the fighting , furthered his reputation as a keen observer of combat . Switching from Pulitzer's World to Hearst's New York Journal , Crane next reported the Puerto Rican campaign and then ...
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The remainder of the sketch attempts to reconcile Quick's legendary reputation with this matter - of - fact inscription . The discrepancy between legend and fact is , according to Crane , partially due to Quick's literary reputation .
The remainder of the sketch attempts to reconcile Quick's legendary reputation with this matter - of - fact inscription . The discrepancy between legend and fact is , according to Crane , partially due to Quick's literary reputation .
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American literature appeared Appleton artist audiences Badge of Courage battle become behaviour Billie Billie's Black Riders Blue Hotel Brian Winston British camera obscura chapter cinema colour contemporary Cora Crane moves Crane observes critical depicts dime novels dispatches Dr Trescott emblems Émile Zola entropy environment experience eyes fiction flag Fragment of Velestino George's Mother girl Grace Graeco-Turkish Greece Henry Binder Henry's Hoffman Hollanden hunting imagination Jimmie Joseph Conrad killing legends literary literary realism little man's Little Regiment Maggie Maggie's Monster mosque motion pictures moving images narrative narrator newspaper Open Boat painted panoramas Pete poems point of view popular culture Port Jervis published Quick readers realism Red Badge remain reputation scene Seduced and abandoned seems sentence soldier Stephen Crane streets suggests Sullivan County sketches Swede tenement Third Violet Tom Quick Velestino viii visual W viii Whilomville Whitman's wild hogs women words wounded writing